The 2024 Great North American Eclipse

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Cholentpot

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Let's hear about your location, what you will be doing and what you will be shooting, if you're shooting at all.

I'm in the complete path of totality. I'll be getting about 4.5 minutes of full eclipse. The only issue where I live is it's a good chance that'll be cloudy. I'm not sure yet what gear I'm going to set up, be it digital or film. I've got to do some planning. Or maybe I'll forgo shooting the eclipse and just enjoy the phenomenon. I already purchased and tested my eclipse glasses, although last time I made some from film and I still got 'em.

Locally things are starting to ramp up, we're expecting loads of people to come in to view the event.
 

Sirius Glass

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If you choose to have the time take your smart phone and pan it 360 degrees around you during the totality. Also watch the shadow approach your location and leave your location! It moves extremely quickly and one should make sure to watch for it.
 

Truzi

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I work in Cleveland, Ohio, which I believe is also in the path of totality.

Also, I live in Lorain County, Ohio, and my area should be in the umbra. Two cities away from me is Avon Lake, which is expecting a huge influx of visitors. The last eclipse we had (not total) was a lot of fun, considering I work on a college campus. There was a lot of socializing, and people brought all sorts of viewing apparatus which they shared.

My coworkers in Avon Lake will probably have to stay home for a few days because of all the visitors flocking there to see the eclipse. Commuting will be a nightmare for them.

I've not decided whether I'm going to photograph. If so, my options include 35mm, 6x7, 4x5, and Stereo, lol.
 

Michael Howard

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I photographed the last one in SC, it turned out very well. I still have the sun filter and other stuff to do it, but probably won't this time around. I may dance naked around a bonfire, though. Just for the fun of it. Sorry for the visuals...
 
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Cholentpot

Cholentpot

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I work in Cleveland, Ohio, which I believe is also in the path of totality.

Also, I live in Lorain County, Ohio, and my area should be in the umbra. Two cities away from me is Avon Lake, which is expecting a huge influx of visitors. The last eclipse we had (not total) was a lot of fun, considering I work on a college campus. There was a lot of socializing, and people brought all sorts of viewing apparatus which they shared.

My coworkers in Avon Lake will probably have to stay home for a few days because of all the visitors flocking there to see the eclipse. Commuting will be a nightmare for them.

I've not decided whether I'm going to photograph. If so, my options include 35mm, 6x7, 4x5, and Stereo, lol.

Go Tribe!...or the team formerly known as them. I refuse to buy new gear.

Downtown should be right smack dab in the middle, I'm a little to the east of there but a few degrees won't make much of a difference. I'm thinking of setting up every format I have from 16mm through 4x5 and just clicking away.

I photographed the last one in SC, it turned out very well. I still have the sun filter and other stuff to do it, but probably won't this time around. I may dance naked around a bonfire, though. Just for the fun of it. Sorry for the visuals...

Need to jump over the fire while naked from what I understand.
 

DWThomas

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I had a fairly decent outing in southern Illinois in 2017, and have along the way added a couple of things I thought might be useful for similar activities. Howsomever, Faire Spouse and I are traveling with friends for a week long "Irish music tour" (just listening) in Ireland and not getting home until the morning of April 7th, so I plan to play it pretty loosely. I figure to head straight north from home up toward the edges of Lake Ontario in New York state. That's doable, as the totality is circa 3pm on the 8th, but if the weather appears unquestionably bad, I'll just skip it.

My Plan(tm) is to just do digits this time, using Canon Connect on my iPad, tethering my EOS M5 mirrorless on a newly acquired geared head mounted on a stiff tripod. I plan some experiments with that concept over the next few weeks. (One doesn't get much opportunity to practice on solar eclipses!)

As a realist, I think to expect clear skies in April in the northeastern US is decidedly optimistic, but I boxed myself in as far as flying to Texas or something (which I likely would not have done anyway). So we will see what we will see -- or not see!

Similar to @Truzi, in 2017 it was rather like a party, we were at Cave-in-Rock State Park, IL. There were plenty of people there but not massive crowds. Since B&H threw some cardboard specs in free with several orders ahead of that event, I had a bunch of spares to hand out to people I encountered who hadn't gotten any.
 
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The last eclipse I saw was lunar about forty years ago. I went to the park with my girlfriend and we watched laying on a blanket together I had spread out while we smoked a joint the whole eclipse. Very astronomical.

Sorry, no photos. I left my camera home.
 

David Brown

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Dallas, totality for 4 minutes +. Will be in my front yard (backyard has a tree in the wrong place), or maybe the very open schoolyard a block away. Weather permitting. No photography. Everyone else will be doing that. We had a partial eclipse just last year. Still have the glasses.
 

ic-racer

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The last eclipse I photographed was only partial. Without owning any long lens, I did a pinhole with maximum extension of my 8x10.

In terms of the total, I have been waiting for this my whole life. I believe the last total solar eclipse where I live was about 300 years ago.

I did not see the 1970 USA eclipse (did anyone?).

For the total, my plan is to us no filter and let the TTL meter set exposure. I have 4 tripods, so hope to have a camera on each.

I don't have any long lenses so I'll need to buy some.

I'm still not sure if this will be a front yard or back yard thing. I suspect somehow I can look up the location in the sky where the eclipse will take place before hand.
 
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ic-racer

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Wow, fantastic. With that information I might try to make a multi exposure of the partials before and after. With that info, one could time it out beforehand. So, do all the exposures leading up to totality with the solar filter then take the filter off the the middle image of totality, and put the filter back on and do the partials as it is going away.
 

ic-racer

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What lenses will people use. I see some inexpensive Nikkor 500mm mirror lenses. I don't want to spend too much, seeing as I'll probably only use the lens once.

For my Bolex I can pick up a 150mm Yvar for not much, I'll try to make a movie of it too.

TSE-35mmScale2w.jpg


Image from :
 

DWThomas

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What lenses will people use. I see some inexpensive Nikkor 500mm mirror lenses. I don't want to spend too much, seeing as I'll probably only use the lens once.

For my Bolex I can pick up a 150mm Yvar for not much, I'll try to make a movie of it too.
In 2017 to use with my Canon A-1, I picked up a Canon FD 100-300 f/5.6 telephoto lens and put it on a Canon 2x-B Extender which doubles the focal length (but kills off two stops worth of exposure). Thus the zoom was effectively 200 to 600mm. For my EOS 40D I snagged a Canon EF 70-300 f/4-5.6 zoom. With the 1.6 crop factor that reaches to a 480mm equivalent in 35mm full frame terms.

In 2017 I noted a few "things to remember" - - -

a) At those focal lengths, the sun moves across the frame surprisingly quickly. I suppose if one is wealthy a clock drive might be cool. I guessed in the future a 3-axis geared head could likely be set up to to have one axis lined up to track the sun. Just received such a head, we shall see.

b) Also used was a right angle viewfinder attachment -- turns out the FD flavor works on the 40D so I bought two for less than an EOS flavor. Did find that eye relief and positioning was tedious. Another viewfinder problem is that with a 16-stop (or whatever it is) ND filter it's nearly impossible to really observe a frame reference to allow centering the sun accurately.

c) Recommendations were to tape the focus ring so as not to mess up focus in the dark. Sounds good, but both of the zooms I used were the "one touch" sort that I couldn't actually tape -- because if the sun moved out of frame, I needed to widen the view to even find it.

So this year (subject to lake effect snow, a delayed flight from overseas the day before, etc., etc.) I am attempting to address the above issues without totally breaking the bank:

1) Going to drop to just one camera, my EOS M-5. I can place the EF70-300 on it with an adapter I already own. The M-5 has an articulating rear LCD screen, no need for right angle widgets.

2) A 3-axis geared head, and a hefty 3-section tripod that can handle 12 pounds or more has been on the wish list for other reasons. FedEx left it here yesterday. 😎

3) Perhaps better than a cable release, I have put the Canon Connect app on my iPad and can shoot in wireless tethered mode (with a live view on the iPad screen). Not having to futz with anything but one occasional axis adjustment at the tripod should reduce "handling" according to The Plan(tm).

4) Only needing one, a foolish amount has been spent for a Hoya solar filter which may be better optical quality than the cardboard and metallized Mylar units used in 2017.

5) In Illinois our base was a lawn outside of a refreshment/restaurant/gift emporium which was nice because we arrived early and spent quite a few hours there. This time we will (hopefully) be day tripping to some park or wildlife refuge for a shorter stay

6) The usual array of multiple fully charged batteries and backup battery supplies will be carted along.

So-o-o, we shall see. I will likely put gear for one of the previous setups in the car as backup.

[Ooops, cheese, didn't mean to write a book, but perhaps it will help others figure out their plans ...]
 
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ic-racer

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Thank for sharing your notes!

As I research this more, I really like the idea of filming it with two cameras in B&W Fomapan. One Bolex with the telephoto lens (approximately 600mm equivalent) and the other with a wider lens imaging the path of the sun with a time-lapse unit I made a few years ago.
 
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Cholentpot

Cholentpot

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In 2017 to use with my Canon A-1, I picked up a Canon FD 100-300 f/5.6 telephoto lens and put it on a Canon 2x-B Extender which doubles the focal length (but kills off two stops worth of exposure). Thus the zoom was effectively 200 to 600mm. For my EOS 40D I snagged a Canon EF 70-300 f/4-5.6 zoom. With the 1.6 crop factor that reaches to a 480mm equivalent in 35mm full frame terms.

In 2017 I noted a few "things to remember" - - -

a) At those focal lengths, the sun moves across the frame surprisingly quickly. I suppose if one is wealthy a clock drive might be cool. I guessed in the future a 3-axis geared head could likely be set up to to have one axis lined up to track the sun. Just received such a head, we shall see.

b) Also used was a right angle viewfinder attachment -- turns out the FD flavor works on the 40D so I bought two for less than an EOS flavor. Did find that eye relief and positioning was tedious. Another viewfinder problem is that with a 16-stop (or whatever it is) ND filter it's nearly impossible to really observe a frame reference to allow centering the sun accurately.

c) Recommendations were to tape the focus ring so as not to mess up focus in the dark. Sounds good, but both of the zooms I used were the "one touch" sort that I couldn't actually tape -- because if the sun moved out of frame, I needed to widen the view to even find it.

So this year (subject to lake effect snow, a delayed flight from overseas the day before, etc., etc.) I am attempting to address the above issues without totally breaking the bank:

1) Going to drop to just one camera, my EOS M-5. I can place the EF70-300 on it with an adapter I already own. The M-5 has an articulating rear LCD screen, no need for right angle widgets.

2) A 3-axis geared head, and a hefty 3-section tripod that can handle 12 pounds or more has been on the wish list for other reasons. FedEx left it here yesterday. 😎

3) Perhaps better than a cable release, I have put the Canon Connect app on my iPad and can shoot in wireless tethered mode (with a live view on the iPad screen). Not having to futz with anything but one occasional axis adjustment at the tripod should reduce "handling" according to The Plan(tm).

4) Only needing one, a foolish amount has been spent for a Hoya solar filter which may be better optical quality than the cardboard and metallized Mylar units used in 2017.

5) In Illinois our base was a lawn outside of a refreshment/restaurant/gift emporium which was nice because we arrived early and spent quite a few hours there. This time we will (hopefully) be day tripping to some park or wildlife refuge for a shorter stay

6) The usual array of multiple fully charged batteries and backup battery supplies will be carted along.

So-o-o, we shall see. I will likely put gear for one of the previous setups in the car as backup.

[Ooops, cheese, didn't mean to write a book, but perhaps it will help others figure out their plans ...]

I put a piece of welding glass over a Bronica S2 and left the lens open for the whole thing back in '17. Of course I miscalculated the mirrored direction and had no idea what I was doing.

iOwBfu1.jpg



Did get a cool shot of the shadows though.
usiqD9g.jpg



This time I do have a 500mm F mount mirror lens and a Mamiya C33 with the 18cm telephoto. I might play 'round with those two guys on tripods.
 

DWThomas

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Did get a cool shot of the shadows though.
Excellent! That was one area of disappointment in my 2017 effort. There was some effect, but not as obvious as I was expecting. I actually wondered if tree species was a factor -- oval leaves versus irregular leaves like many oaks and maples. Alas, don't get many chances to find out! 😳
 

ic-racer

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Map showing an average of cloud cover on April 8 for the last decade. I hope this Great American Eclipse does not turn into another Comet Kohoutek* situation!

* a lot of hype in 1973-74 but it could not be seen. I even got a Spiratone 400mm lens to take a picture of it.

Screen Shot 2024-03-31 at 8.43.11 PM.png
 

mshchem

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I don't understand why this is so hyped. Everywhere I go people are selling glasses. I think the most interesting part is the twilight and the stillness. I lunar eclipses can be special.
 

Sirius Glass

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I don't understand why this is so hyped. Everywhere I go people are selling glasses. I think the most interesting part is the twilight and the stillness. I lunar eclipses can be special.

Because it is all in the seeing the eclipse. The real thing is much better than any video. It was well worth the trip for me!
 
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Cholentpot

Cholentpot

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I don't understand why this is so hyped. Everywhere I go people are selling glasses. I think the most interesting part is the twilight and the stillness. I lunar eclipses can be special.

We're hyped because we might have a sunny day in April! That's the best new in months!
 
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I have seen the '99 total eclipse as a kid here in Europe. Our city was among the ones directly in the path of totality. There was quite some media coverage for weeks before the eclipse because there were many large cities along the path.
We were all deeply impressed by this almost eerie experience.
Unless one decides to travel, such an eclipse is mostly a once in a lifetime experience.
 
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Cholentpot

Cholentpot

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I'm ready to go. It's forecasted as 'Mostly sunny' for the totality here which can mean anything.

I have an F3 loaded with some 400 speed b&w film, a foil filter on a 500mm mirror lens. It's going to sit on a tripod and I'll click off photos every few minutes. Backup to that is a Mamiya C33 loaded with Portra 400NC and this one also has foil over the lens. I'm not as sure what I'm doing with it but it's going to be on a tripod. Third is a Crown Graphic loaded with Arista 400 that I plan on doing a multi exposure on. No foil, just going to max out the shutter at 1/400 and f/32 and hit it every ten minutes to get a sheet with the progression. I'll set beforehand and there's no need to check the GG once it's set up.

Otherwise I have some DSLRs out, one with a 70-200 that's foiled and another one to tool around and document everything.

As I've said the cameras are not my main focus. I'll have fun but the main goal is to observe the whole phenomenon.

Good luck to everyone out there!
 

ic-racer

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Ths sun is out today.

I used both my Sekonic 1degree spot and a digicam to make some readings for my cine cameras.

I got around f3.3 (wide open) to f5.6 at 1/60 (18fps) with Foma 100 Regular-8 reversal with the "Solar #5" filter I got from B&H.

Using tables, I get around f2.8 at 1/60 (18fps) without the filter. Since my lens is a f3.3 I'll need to decrease my filming speed for total. The camera only goes down to 12 fps (1/40).

So for totality it will be wide open at 12 fps.



bolex 150mm yvar.jpeg
 
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