I've always done about the same as you, as far as how I evaluate a lens. I picked up the chart for a buck and just want to play with it.Charles Webb said:I am sure all this "testing" of lenses is of some importance to some, but after my first five years involved with photography I developed a bit different view of the value of these tests. For the past 45 years or so, my lens testing has amounted to far less work. I mount the lens on a "plumb" camera, and using my trusty Hasselblad chiminy finder as a focusing aid, focus the image as best I can on the Satinsnow, (really not important what the image is, ) then expose a sheet of film at the aperture you choose, develope it and with a good glass (Hasselblad C.F. again) I anylize the negative, if it appears sharp, I print it. Then carefully study the content of the print. If I like what I see, that lens is a keeper if I don't like what I see in the print the lens is relagated to ah.. er...a.. ebay. ;-) Bench testing and using the charts in my opinion are good for bragging rights, but don't necessarily equate to good photographic images. I have owned many lenses that were/are highly rated on the charts, but coulden't come close to matching one of my 50 year old Wolleys image wise. The final image on the print is what I judge by! Not very scientific, I admit but it works for me! Happy testing, I am off to make some exposures !
Charlie............................
waynecrider said:A couple of questions; 1. For barrel and pin cushion distortion, at what focus distance do you set your prime lens, infinity at closest distance?; Does it make a difference if your focused at different distances? And what about zooms. 2. Any cheaper resolution charts then the 1951 Air force test? The 2" glass slide from Edmund is $115. The chromatic aberration chart was only $19 tho.
Dan Fromm said:df, the original poster has been silent for nearly a month. Perhaps he figured out what he was after or needed to do to answer his question.
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