Helinophoto
Member
Hi
(no idea if this is supposed to be in the alternative processes or not, as it is vanilla color-development, with a twist and not a different process all together).
Been fascinated with the tonality in films like Saving private Ryan and others that use color-film, which has been processed using bleach-bypass and ENR(?) (redeveloped in B&W).
Ok, so I'm thinking about fuzzing about with the Tetenal c-41 press kit, 1 liter.
This kit comes with 3 bottles for the dev, 2 bottles for the blix and 1 bottle for the stabilizer.
Now, for my processing, regarding bleach-bypass, I am going to split the blix into two separate bottles, so that I can:
- Use the proper color-fixer for the film and not a B&W fixer, as it seems (from searching the net) that color-fix and b&w-fix isn't the same.
- Control the amount of bleach to apply to the photo. From various forums, it seems that I can re-bleach my negatives after the fix and stab.
I cannot get hold of separate chemicals for this where I live.
Couple of questions:
- Does anyone know if the two bottles for the blix, is actually bleach and fix, respectably (fixer sure smells like fixer).
- Can you actually process color-negatives in this sequence: Dev - fix - stab - bleach ?
- Is there any adverse effects of bleaching with the lights on? (should not, if the former question holds true, the film should be light safe already).
Regarding ENR:
I've seen people doing it in old flickr-threads (dead groups), where they develop the color, skipping bleach, fix, then wash and then redevelop with a b&w developer and then use stabilizer in the end.
- But, how can that work, seeing you've already fixed the film during the color-stage, would the B&W developer be useless at that stage?
Reason for doing:
I already know how to create pretty nice bleach-bypass results with *D*, now I want to make it the "proper" way, for experimentation, fun, knowledge etc.
(no idea if this is supposed to be in the alternative processes or not, as it is vanilla color-development, with a twist and not a different process all together).
Been fascinated with the tonality in films like Saving private Ryan and others that use color-film, which has been processed using bleach-bypass and ENR(?) (redeveloped in B&W).
Ok, so I'm thinking about fuzzing about with the Tetenal c-41 press kit, 1 liter.
This kit comes with 3 bottles for the dev, 2 bottles for the blix and 1 bottle for the stabilizer.
Now, for my processing, regarding bleach-bypass, I am going to split the blix into two separate bottles, so that I can:
- Use the proper color-fixer for the film and not a B&W fixer, as it seems (from searching the net) that color-fix and b&w-fix isn't the same.
- Control the amount of bleach to apply to the photo. From various forums, it seems that I can re-bleach my negatives after the fix and stab.
I cannot get hold of separate chemicals for this where I live.
Couple of questions:
- Does anyone know if the two bottles for the blix, is actually bleach and fix, respectably (fixer sure smells like fixer).
- Can you actually process color-negatives in this sequence: Dev - fix - stab - bleach ?
- Is there any adverse effects of bleaching with the lights on? (should not, if the former question holds true, the film should be light safe already).
Regarding ENR:
I've seen people doing it in old flickr-threads (dead groups), where they develop the color, skipping bleach, fix, then wash and then redevelop with a b&w developer and then use stabilizer in the end.
- But, how can that work, seeing you've already fixed the film during the color-stage, would the B&W developer be useless at that stage?
Reason for doing:
I already know how to create pretty nice bleach-bypass results with *D*, now I want to make it the "proper" way, for experimentation, fun, knowledge etc.

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