Hi
(no idea if this is supposed to be in the alternative processes or not, as it is vanilla color-development, with a twist and not a different process all together).
Been fascinated with the tonality in films like Saving private Ryan and others that use color-film, which has been processed using bleach-bypass and ENR(?) (redeveloped in B&W).
Ok, so I'm thinking about fuzzing about with the Tetenal c-41 press kit, 1 liter.
This kit comes with 3 bottles for the dev, 2 bottles for the blix and 1 bottle for the stabilizer.
Now, for my processing, regarding bleach-bypass, I am going to split the blix into two separate bottles, so that I can:
- Use the proper color-fixer for the film and not a B&W fixer, as it seems (from searching the net) that color-fix and b&w-fix isn't the same.
- Control the amount of bleach to apply to the photo. From various forums, it seems that I can re-bleach my negatives after the fix and stab.
I cannot get hold of separate chemicals for this where I live.
Couple of questions:
- Does anyone know if the two bottles for the blix, is actually bleach and fix, respectably (fixer sure smells like fixer).
- Can you actually process color-negatives in this sequence: Dev - fix - stab - bleach ?
- Is there any adverse effects of bleaching with the lights on? (should not, if the former question holds true, the film should be light safe already).
Regarding ENR:
I've seen people doing it in old flickr-threads (dead groups), where they develop the color, skipping bleach, fix, then wash and then redevelop with a b&w developer and then use stabilizer in the end.
- But, how can that work, seeing you've already fixed the film during the color-stage, would the B&W developer be useless at that stage?
Reason for doing:
I already know how to create pretty nice bleach-bypass results with *D*, now I want to make it the "proper" way, for experimentation, fun, knowledge etc.