Yep, it looks a bit like that example from newtorf. A bit less straight-line thatched, but with similar growth patterns. The growths are physically larger but a smaller fraction of the frame since this is 70mm, not 35mm.
I'll go post in that thread too once I have a scan, since it seems to confirm that the issue there was growths not the double-exposure everyone was accusing them of.
el wacho: erm, I don't think I plan to go *quite* that far
bah, unnecessary paranoia. Fungal spores are all around anyway; what matters is whether you give them a chance (moisture+heat) to grow. You'll never have a spore-free environment.
Anyway, a scan:
That also served as a test for my new 140/4.5 M/L-A macro, which you can see here operating at 1:2. At EI16 there is shadow detail everywhere, and the 7:00 of development I gave it wasn't enough; the image is quite flat both in the scan and on the neg. I've left the scan at low contrast so that all the detail in the fungus is retained.
The interesting thing is that the density of the fungal-affected areas seems proportional to the exposure, as if the fungus was acting as a development catalyst rather than an exposing agent. You can barely see tiny tendrils of it extending out of the frames, but it has no silver density where there was no optical exposure.
You said that this image was fine, and then disappeared after, which tells me that it was spreading regardless of the fact that the film had already dried correct? So this appeared after the film was already completely dry? That means that it does spread even without moisture, and that you're putting other stuff at risk, yes mold spores are everywhere, but this obviously sounds aggressive. Anyway I wouldn't take the chance better safe than sorry, it's not really an important image anyway right?
That's just my advice but what do I know anyway
Boy, the results are so nice (except for the mold) I'd be tempted to keep it all anyway and hope some of it is OK.
Yeah, I plan to. Got some cogitating to do on a theme, but I'm sure there's a good project in this.
Yeah, me likey those results too. As it's just at the top and bottom, could do well for landscapes to give some 'texture' to the sky and forground. Maybe go up to the mid-north and shoot some lone trees/buildings with nothing else but red sand and blue sky.
(or if anyone can give me a 70mm hassy back for cheap enough I'd be tempted to take a roll off your hands and do that myself)
Just a thought, there's always the trick that I do when I get a lens with fungus on it, mount it on a tripod and point it at the sun for a few days, UV seems to kill all the spores. Would that work on TechPan too?
Seriously, you need to work on your reading comprehension. The emulsion is fine (speed, contrast, grain, lack of fog, etc) except that something has grown on the film. The point is that the only fault is the fungus, if it even is fungus.
The tendrils, which have already grown in the film over the last TWO DECADES, extend outside the image areas except that they produced no silver where there was no exposure, so it seems to act as a development catalyst. Mould/fungus takes months/years to grow, it doesn't grow across an image like that in the day between me drying and scanning the film. And it certainly doesn't form metallic silver on its own after the film has been fixed!
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