Hello, thought I was pretty clued up about lenses and shutters when i dived into 8x10 but apparently not, got myself into a bit of a muddle
I built a Bull Dog 8x10 camera (which is actually a quite sturdy and robust camera with some decent movements) I purchased this lens on a sinar lens board it didn't come with a shutter and im struggling to figure out how to get it set up on one and what my options are. the lens is currently mounted in a diaphragm control which has only added to my confusion! any help would be great
You can often buy lenses 'in barrel' or 'in shutter' The lens you have purchased is was intended to be used with a Sinar Shutter on a Sinar/Horseman camera. This does not mean that you can't use it, you just have to work out some way of timing your exposures. A Packard shutter would work, if you go for a Sinar shutter make sure that it comes with the cables as they are required and both quite rare and very expensive.
Thanks guys, yeah thinking im going to sell it and just go with something in a copal shutter will have a look around here for recommendations for 8x10 portrait lenses
A 300mm can make a great portrait lens on 8x10. Just remember it's considered a "normal" focal length on 8x10.
It would be similar to using a 50mm on a 35mm film camera or full frame digital. It actually feels a slightly wider to me due to the 8x10 format being more square. A 14" or 360mm feels more nomal to me.
Jock Sturges used a Fujinon 250mm F/6.7 lens for his early work. Yousuf Karsh used a Kodak 14" Commercial Ektar and I read somewhere that Richard Avedon used a Schneider 360mm lens for his American West project.
The cells should be direct fits in a Compur/Copal #3. Good luck finding a shutter.
Alan's right, though, if you can more or less recover your outlay on lens and board -- sell them as a unit -- you can probably get a 300 in shutter for less than you've paid plus the cost of a shutter. Either way, though, the shutter will need an overhaul. That's the way used shutters are.