The SX70 film is and has always been the correct speed. The filters/mods to the camera were only ever needed to use 600 speed film (for the 600 line of cameras) in the SX70, both mods were around before Impossible Project started producing film.
What was unique for Impossible Project film (especially when they first started) was the so-called Frog Tongue which covered the film upon ejection due to the film's poor opacification layer. The original Polaroid film had this figured out, so the cameras would retract the cover almost immediately after full ejection. The IP film was still sensitive to light so you would blow out the image completely if you didn't eject it into a light proof box or shield it with another film or use the Frog Tongue.
I'm going to try the IP Color SX-70 for now, just to make sure the camera works. Last I heard about the IP they had some quality issues, but looks like they got that sorted out now. Thanks for the info
2-3 years ago (when I used them last time) impossible films were already very good - now I am sure they are even better.
Couple of examples:
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Then only problem is of course the price, for color you can use Fuji instax - but if you want B&W instant films then impossible is your only option.
impossible's stuff, while the only game in town really, has never equaled what Polaroid offered back in the day. It also can't be manipulated, which was the only really good thing about SX70 film in general. And it's about triple the price of the old polaroid stuff when that was available. They have a ways to go yet, I'd say.
It's a bit disingenuous to say that Impossible has quality control issues. They've had to re-engineer the a Polaroid films from scratch, and have simply let the public beta-test their efforts with the understanding that their films are not perfect quite yet. The resulting revenue stream and customer feedback has allowed them to progress much faster than if they'd waited until they had a product that lived up to the original.
Stone, I don't think it would be as crucial with Ferrania or New55 as it was to Impossible. With New55, they're dealing with essentially B&W film with a developer pod. Ferrania has all their old machinery and formulations, and it's just a matter of reconfiguring everything. Impossible only had the machinery and not the chemistry, so they've had to research and developing everything from nothing. The "beta test" phase was thus much more important.
While I'm completely ecstatic that Impossible happened, I'm not personally a Polaroid lover, especially not the integral film. (I grew up with a white rainbow Polaroid One-Step and hated it even then!) Sure, the early Impossible films aren't for everyone, but they're for people who enjoy tinkering with not-ready-for-prime-time formulations and the eccentricities they offered. I understand their product is much better now and approaching the level of quality from the real Polaroid films, even if the image takes longer to develop.
Looks like I only have two options, color and b&W.
Fuji Instax requires a new camera, I think the OP wants to use his found polaroid camera.
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