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What are the benefits of using LEDs over a regular old Safelight like an Ilford 902?
rbeech: do you have a model number or link?
Larry: I will probably test again with rubylith as I have a bunch of it. It'd be nice though if we could find a handful of widely-available known-good models that don't need additional filtering.
I also just tested some individual bright-red LEDs; very monochromatic and safe at around 650nm. They're not a readily-usable bulb module though.
Ghostman: if the LED spectrum is paper-safe, it will remain so. There is no filter that can fade or scratch and therefore become unsafe. The idea is that bandgaps in the LEDs are finite and therefore the right LEDs should be monochromatic with lower photon energies than the activation energy of the paper emulsion. The right LEDs are inherently safe for basically infinite exposure time, whereas a filtered incandescent will always eventually fog paper, even if it takes an hour or two because the filtering is not capable of cutting out 100% of the green/blue/UV output from a filament.
David: what is the voltage rating on those? I don't see anything on the webpage; is there something marked on the bulb or its packaging?
David: what is the voltage rating on those? I don't see anything on the webpage; is there something marked on the bulb or its packaging?
As discussed in this thread: (there was a url link here which no longer exists)
The LED in question is this one: http://www.superbrightleds.com/moreinfo/g-series-minature/2-watt-g11-globe-bulb-360-degree/440/ It may or may not be suitable for your use in Australia, however.
I did some safelight testing tonight with Arista paper and the 1.8W red LED that arrived first from eBay. It's OK at 16s but fails at only 32s of exposure.
I tested again with two layers of rubylith over the front of the lamp and it passes at 512s (about 8:30) with pre-flashed paper. I didn't bother testing any longer than that because a) I'm impatient and b) I never have paper out that long.
The thing is so bright that it's impossible to compose in the easel with it on, because it completely washes out the projected image. Really, incredibly bright, with perfect visibility into the darkest corners of the darkroom; probably a good 6 stops brighter than the 3-LED bike light I was using. I'm going to have to rig up a switch or something, maybe some black tape across the front to dim it by a stop or two.
Can you bounce it off of a ceiling or some other diffusing reflector?
I did some safelight testing tonight with Arista paper and the 1.8W red LED that arrived first from eBay. It's OK at 16s but fails at only 32s of exposure.
I tested again with two layers of rubylith over the front of the lamp and it passes at 512s (about 8:30) with pre-flashed paper. I didn't bother testing any longer than that because a) I'm impatient and b) I never have paper out that long.
I did some safelight testing tonight with Arista paper and the 1.8W red LED that arrived first from eBay. It's OK at 16s but fails at only 32s of exposure.
I tested again with two layers of rubylith over the front of the lamp and it passes at 512s (about 8:30) with pre-flashed paper. I didn't bother testing any longer than that because a) I'm impatient and b) I never have paper out that long.
The thing is so bright that it's impossible to compose in the easel with it on, because it completely washes out the projected image. Really, incredibly bright, with perfect visibility into the darkest corners of the darkroom; probably a good 6 stops brighter than the 3-LED bike light I was using. I'm going to have to rig up a switch or something, maybe some black tape across the front to dim it by a stop or two.
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