Surrealist Photographer

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Gerald C Koch

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I think people may be interested in the work of this swedish photographer. Not too many photographers work in this branch of photography. Dead Link Removed
 

batwister

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I'd class him as a Photoshop artist and the work is interesting, but appropriating old ideas a little too literally for my liking. Really like the fish image though - can imagine it as a Shimano advert in a magazine spread.
There is definitely a great deal of this kind of work being produced in advertising photography, but you don't often see it breaking into the art world because the 'media' (digital art/photography) is too much of a grey area.
 

ann

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Have you all forgotten about Jerry Uselman?
 

ann

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True, I wonder if she got the "bug" from Jerry but took the digital route.
 

Bob Carnie

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I am not sure about that Ann , though it is interesting that they both seem to follow somewhat same path.
I saw a couple of her prints at Paul Paletti's gallery last year and really like her work.
so much so that I plan to see if I can make a few tri colours carbon prints for her in the future if she is interested.
I think I saw inkjet prints which are not in my game plan for the future.

True, I wonder if she got the "bug" from Jerry but took the digital route.
 

ann

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I have only seen her digital work , which at times has that surrealistic look.
 

Bob Carnie

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yes thats what I am referring to .. I think she makes ink jets.. I would love to see them as pigment prints.

QUOTE=ann;1382156]I have only seen her digital work , which at times has that surrealistic look.[/QUOTE]
 

MFstooges

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I wonder if surrealism can be produced 100% optically without involving digital manipulation.
 

pdeeh

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Angus McBean.
man ray.
just two examples from pre-digItal era. there are others
 

MattKing

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DREW WILEY

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Uelsmann's prints are more seamless than the Fauxtoshoppers' versions. Hides his hand better, and
more continuous tones. Then there's the other traditional way of doing it - comp prints touched up
then rephotographed - better suited to mass production, but sacrifices a bit of that subtle tonality(e.g., Thomas Barbey). It was all not only done before Fauxtoshop, but often done better.
 
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