Well, I do photochemical and digital b&w restoration of major motion pictures and can tell you right now, 2K won't cut it for 35mm resolution images if you want to retain all the data; might work for Super 16mm, but not for full aperture 35mm.
Of course, there is a difference in what you can get away with between 2K modern production and dealing with battered elements to be brought back from the brink.
When the Sony 4K projector finally gets here, it MIGHT be the lynch pin that kills distribution on film, but we shall see, won't we?
Of course, there is a difference in what you can get away with between 2K modern production and dealing with battered elements to be brought back from the brink.
When the Sony 4K projector finally gets here, it MIGHT be the lynch pin that kills distribution on film, but we shall see, won't we?