I go to the wrong garage sales.
Hmmm... the plot thickens:
But the grandson of the artist is unconvinced of the claims.
Mr. Norsigian has been making these claims for a number of years and I have not seen convincing proof that they are Ansels negatives, Mathew Adams was quoted as saying.
People have been photographing Yosemite since the late 1800s and that fact there are glass plate negatives of images of Yosemite does not therefore mean that they are Ansels.
Hmmm... Very cool to have found a whole box of glass negatives, but I wonder... was Ansel really fond of crooked horizons? (I only mention, because judging from some of my prints, apparently I am... :rolleyes: )
Uh... those negatives were hidden away in a wooden box and never saw the light of day for 50 years and were never published as prints precisely because of those crooked horizons. Ansel was a great guy and really smart but he was human and made mistakes.
This box was filled with his mistakes.
More interesting than the horizons is the concept that these images are worth a lot of money. Of course, they are worth whatever someone will pay, which is apparently a ton of bucks. Aren't plenty of Ansel negatives available for study (to proper researchers)? Adams shot A LOT. I would imagine thousands, maybe tens of thousands of his "slides" (as the newscast calls them) exist. And Ansel is no longer around to print them. I see it a little like finding Picasso's paints or perhaps marble Michaelangelo might have planned to sculpt. A painting or statue might be in them, but it will never be an original completed work by the master. Modern prints from people who worked closely with AA are available today and worth a lot less than a million dollars. I'm not discounting the value of the find (would love to have made it myself), but I don't understand the economics that would make it seven figures.
Maybe Virginia took the pictures. That would account for her handwriting and the crooked horizons.
was Ansel really fond of crooked horizons?
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