I really really really hate to ask this question because I know that for every other film I shoot, X Rays are not a problem. That said, I've never traveled with Superia 1600 and don't know how well it can handle being scanned by airport carry on X Ray scanners. I expect all my film to be scanned 3-5 times during my upcoming trip and want to know, can Superia 1600 take that many scans and still remain unaffected?
My free time is mostly at night on this trip so I expect to need a lot of high ISO film.
Thanks!
General rule of thumb is 800 iso and up should not be scanned. Ask for a hand inspection instead. In Canada and the US I know it's a non-issue and they will hand inspect. I leave them in the boxes but they will likely open every box (I had 20 rolls unboxed the last time I flew down to Florida). Likely other countries will do the same but I've read threads where some countries will not do this for you.
Have you already bought the Superia 1600?
I find Cinestill 800T to be better suited to night photography as it's tungsten balanced (thus will actually be faster for nighttime shooting, as daylight balanced films require a filter and additional exposure under artificial lighting), while Cinestill's lower ISO is also better for travelling through x-ray scanners.
I've travelled from the UK to southeast Asia and back a few times carrying numerous rolls of Cinestill 800T without any issues.
Well, the customs agents aren't supposed to do that as it's their own suggested guideline. You can go on twitter to @asktsa and they'll tell you to ask for a hand inspection. That being said, I hate flying to the US because TSA makes travelling unenjoyable. I understand the importance of their job and why it's necessary, but it's not a pleasant experience ever.I dont ask for hand inspection. It's way too much hassle. I've had US custom agents dress me down big time for asking that. I'm traveling to places where English isnt spoken.
I've had Ilford Delta 3200 scanned many times without issue and that's an ISO1000 film. I dont know what the real value of Superia 1600 is so I don't know if it's an issue or not.
I've got plenty of Superia 1600, but can still buy some of this Cinestill film too. Thanks for the suggestion. How well does it do for long exposures (30 seconds)?
Whatever you choose to do, good luck! Where is the trip taking you? Any place exotic?
Last time I left HK in November they did a hand inspection of my film without me actually asking for it. It had all my film in clear ZIP bags, took them out to put them into a separate tray and the women handling the lane immediately suggested it. Without really awaiting my answer the films bypassed the machine and her colleague waited for me at the other end for the inspection... So if you ask them for hand inspection I'm sure they will be very graceful about it.Shanghai and either Hong Kong or Kyoto...have not figured out which one to go to yet for the second leg of my trip.
The reciprocity characteristics appear to be really good, so be careful not to overexpose it (there's a lot of latitude with this film, so I'm talking serious overexposure). Unlike daylight films, which I find are effectively two stops slower in artificial lighting (on top of reciprocity concerns), Cinestill maintains its speed at night because of its tungsten balance, so it doesn't need anywhere near the long exposure times I often use for Fuji 160NS.
The film's biggest drawback is the halos around reddish colours due to the lack of the anti-halation layer, although this effect can occasionally benefit the image.
A few samples with progressively longer exposure times. The first one is handheld, then the next two are steadied on ledges, while the rest are gorillapod-based photos.
If you grossly overexpose, as I did in the photo below, the highlights start to go yellowy, which I don't like:
Is it a possibility for you to buy the film on location? If you're staying there longer you even might have it developed before going back. Either way, it can at least save you a few X-ray scans.
Those are gorgeous shots! I'd be very happy with them.
That's risky. Even in a place like Japan I could not get film on location as expected. Nowhere could I find 400H one time while in Kyoto. Yodobash, Bic, you name the place, they were all out of that film.
Sadly, each time I go to Japan the film stores get smaller and smaller.
Thanks.
Really? That is unfortunate. I bought quite a bit of 160NS and 400H in 120 format in Fukuoka, Kyoto, and Tokyo in two separate trips last year. I didn't try to buy any in Hokkaido though, as I didn't want to risk any availability issues and had stocked up ahead of time. The 160NS, in particular, is quite a bit cheaper in Japan than in the UK, even with the weak pound at present.
That said, I wouldn't risk travelling to Japan without a decent bit of film in tow, as I'm not sure the shops had that much stock beyond the 2–5 boxes I would buy on any one visit.
As for x-ray scanning, one other thing popped into my head. For the way back, I no longer carry my film. I contact my lab and they arrange for DHL to come to my hotel, pick up the film before I check out, and whisk it away to the lab. This has worked great in Japan, as I just leave the film at reception, I go out and sightsee on the penultimate day or last day, and DHL come to do their thing. I usually have my envelopes, labels, etc. ready to go before I even leave for the trip. I also did it in South Korea in December.
This means that the concerns about x-rays are minimised and my carry on is free to hold any new cameras I've purchased...
I PROMISED my wife no new cameras this trip. I have to keep this promise or else.
I dont worry about film being scanned, except for an ISO1600 film. I've had all kinds of films scanned a dozen times without issue. It just does not affect film at all, even after 12 scans. I've never traveled with Superia 1600 before so I am not sure.
Oh, but what's a trip to Japan without a new camera?
日本にはいいカメラがとてもたくさんありますから、新しいカメラを買わないのは私に難しいです。
I find in Japan they will always hand inspect film with no hassles, if you decide to come back here on your trip.
If you need to, I might consider mailing the film to you ahead of time, and then after you shoot it, mailing it back. That would avoid the whole airport. That's what a lot of people do with golf clubs or anything else that is too big to fit on the plane. It's quite common. Just get your hotel arrangements set up ahead of time, and double check with the hotel that they will allow such service (as they may have to hold onto it for a day or so waiting for you to arrive.
If you need to, I might consider mailing the film to you ahead of time, and then after you shoot it, mailing it back. That would avoid the whole airport. That's what a lot of people do with golf clubs or anything else that is too big to fit on the plane. It's quite common. Just get your hotel arrangements set up ahead of time, and double check with the hotel that they will allow such service (as they may have to hold onto it for a day or so waiting for you to arrive.
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