I would also add that when you set the GG on the back at the film plane, tape it such that the GG is in line whith where the film plane would be...K
I will do this. I tried to take the screen out of my pentax 67, but when I did so, I could not figure out how to get it to sit flush with the film plane. This should work.OK here was my trick since I did not have a spare ground glass either....I took out the viewing screen from the camera, used it on the back to find infinity at the film plane using the taking lens...
K
John, to paraphrase you, I would say that setting focus at a infinity doesn't guarantee near distance will be on. Close distance setting is more demanding (shallow d.o.f.) but more easier (I have a 2 dimensions target with contrasty patterns to aim at). Most of the time, near distance setting gives good result at infinity and doesn't need further adjustment (unless like with M39 Leica-like camera you have a mirror adjustment for infinity. Then you have to switch back and forth between both setting to get the job done).
Infinity, I don't know what it means exactly: 200 times the focal length, 500 times, 1000 times, something else???
2 meters, I know what it is, it is 2 meters and it is easy to measure. That's my point.
Once again, focus accuracy is more critical at short distance as d.o.f. is shallower than at "infinity".
Kal, that's why you need to be precise at short disance to avoid trouble at infinity. With a tape meter, you can estimate 2 meters +/- 0.005 meter. As long as you have a contrasty target (black and white stripes for instance) and an eyepiece to magnify the screen image (a 50mm lens for instance), I don't see where the trouble is. Once again, at short distance, the shallow d.o.f. is a good focussing aid you don't have at long distance.
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?