I figured you'd be the one to chime in!

I still need to send you some moo-lah, carbon's are coming up.
I am not planning to tone my Kallitypes. I do not plan to do any salted paper prints either, but who knows...
Is there a reference guide that shows which band of UV light is optimum for a given printing process? Or...even within a given process there are different formulas, I wonder if the band of UV used for any given recipie of process can make changes?
I am using the forumla for Kallitype from the 'Keepers of Light' book. I mixed my solution from scratch according to the recipie in the book.
Today I am printing on Somerset paper and am getting very rich deep blacks with only 5 minutes of time in the sun during mid-day. I did not expect such short exposures with the sun as I have been using a Nu-Arc primarily up until today.
Thanks for the insight...
sanking said:
Yes, there may be differences. When you use the sun as a light source you are in essence taking advantage of light from every part of the spectrum, whereas with artifical light sources you are using primarily lighty in the UV and near UV area. In many cases the particular spectrum that is used can cause subtle or even significant color changes in the image. You will quickly see this if you do some printing with salted paper.
With kallitype, assuming you will later tone the images, there is not likely to be a lot of difference in image tone, if any. But every situation is different so don't take that to the bank.
Sandy