Although there was a military (olive drab paint & leatherette) version of the Signet it was postwar.Kodak Signet 35 was used in the war. The Medalist is a great camera, but mine struggles if it below freezing. Needs to be completely overhauled by someone that knows what they are doing.
You might look for a Zeiss Ikon folder.
Since you have the Iconic US Navy camera of the war, I vote for a pre-war German Zeiss Super Ikonta
Kodak Signet 35 was used in the war. The Medalist is a great camera, but mine struggles if it below freezing. Needs to be completely overhauled by someone that knows what they are doing.
The Medalist will work if it is serviced. Maybe a baby Speed Graphic was made then? Any camera this old will need servicing if it is expected to be reliable.
Personally, I'd do it with a Speed Graphic. But since you mentioned 120 and pre-1944, I suggest a Ciro-flex.
An Argus C3. First produced in 1938 and so a true WWII camaera.
A good Leica II would be cheap to acquire and, after a quick service by Youxin Ye, utterly dependable and highly pocketable.
The Medalist, or any camera used in -40 temperatures, will need to be serviced with "arctic grade" oil.Thank you everyone for the great suggestions so far!
Great cameras but I wonder if a soldier or civilian worker on a military project like this would use a German camera during the war? Somehow it doesn't feel right.
The information I can find says that the Signet was 1950's.
My Medalist has been serviced but, to be fair, taking it out at -40 is not a good way to shoot a first roll. I did get a full roll of images but there are some issues. I need to keep shooting with it but so far I'm not feeling it.
I would love to do it with my Speed Graphic! Sadly we are moving light, fast and unsupported, so the weight of the kit is a huge issue as well as the time it takes to set up a shot.
Oooh... Those cameras are really cool. I'm definitely going to have to try one out. I wasn't planning on shooting 35mm but I am not opposed to it by any means.
I've always wanted to shoot a Leica. Will have to investigate this a bit further as well.
Thank you everyone for the great suggestions so far!
Great cameras but I wonder if a soldier or civilian worker on a military project like this would use a German camera during the war? Somehow it doesn't feel right.
The information I can find says that the Signet was 1950's.
My Medalist has been serviced but, to be fair, taking it out at -40 is not a good way to shoot a first roll. I did get a full roll of images but there are some issues. I need to keep shooting with it but so far I'm not feeling it.
I would love to do it with my Speed Graphic! Sadly we are moving light, fast and unsupported, so the weight of the kit is a huge issue as well as the time it takes to set up a shot.
Oooh... Those cameras are really cool. I'm definitely going to have to try one out. I wasn't planning on shooting 35mm but I am not opposed to it by any means.
I've always wanted to shoot a Leica. Will have to investigate this a bit further as well.
Speed Graphic -1912 - 1946 multiformats with 3 1/4 x 4 1/4 and 4x5 made the full run time.Maybe a baby Speed Graphic was made then? Any camera this old will need servicing if it is expected to be reliable.
Thank you everyone for the great suggestions so far!
Great cameras but I wonder if a soldier or civilian worker on a military project like this would use a German camera during the war? Somehow it doesn't feel right.
The only pre-WW2 (maybe 1938) Argus C3, (I am almost certain it was not a C2) that I have seen was not synched and I don't remember if the shutter speeds had "B" so you could hold the shutter open while firing a flash bulb. Pre-WW2 Medalist would be the Medalist 1 as the Medalist 2 was post war. Which ever camera would probably not have a coated lens though I understand both Leica and Kodak were using some form of coating on some cameras at that time........Regards!An Argus C3. First produced in 1938 and so a true WWII camaera.
Lots of great suggestions, so far. Since you have the Iconic US Navy camera of the war, I vote for a pre-war German Zeiss Super Ikonta. They came in 6x4.5, 6x6 and 6x9, with the excellent Tessar lens, and fold up nicely in the pocket. The 6x9s are really pricey because of collector appeal, but I got a really nice, perfectly operating 6x4.5 for $120 a couple years ago.
Screw history . Fuji GS645S
The only pre-WW2 (maybe 1938) Argus C3, (I am almost certain it was not a C2) that I have seen was not synched and I don't remember if the shutter speeds had "B" so you could hold the shutter open while firing a flash bulb. Pre-WW2 Medalist would be the Medalist 1 as the Medalist 2 was post war. Which ever camera would probably not have a coated lens though I understand both Leica and Kodak were using some form of coating on some cameras at that time........Regards!
You mean 70mm Combat Graflex .Although late in the war and it takes 70mm film, Combat Graphic.
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