- Joined
- May 12, 2011
- Messages
- 13
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- Medium Format
If you use a Holga, I would have thought you welcome streaks on your negatives.
Thanks - but they're not light leaks, nor is it lens flare. Light leaks would cause the same mark on every frame which is not the case here.
If you use a Holga, I would have thought you welcome streaks on your negatives.
I don't.
Me neither.
What do the streaks look like on your black and white negs? If both you are processing Holga rolls with rolls shot on other cameras, yet only get streaks on the Holga in both colour and B&W, then maybe it is the Holga. It might be very small light leaks that is causing the problem. Light leaks certainly don't show up on every frame, at least not in my case. I have noticed that colour film tends to get light leaks whereas the black and white ones don't (which is why I usually stick to B&W). One way to see if its you and not the camera would be to get them developed professionally, if that's available to you. Sorry I don't process my own colour film but I'm interested to see what you discover is causing the problem.
Do you get this streaks on all 12 pictures all the time on Holga?
That's not true. Light leaks are very dependent on the ambient light hitting the exterior of your camera and this will vary greatly.
Is there a red window on a Holga?
On one of my Holgas, I put a piece of gaffer tape on an index card over the window. I made it flap style so I could flip it up carefully to advance the film. It keeps the film from getting hit with light while I'm waiting to expose that frame and it also serves as a reminder that I need to minimize the light on it when I do advance. It's a little better than counting clicks to advance (though I do that with the one I converted for 35mm).
I'm not totally convinced the window is the root of the problem, but if other cameras give no issues, then it's more likely to be the camera than the processing. Holgas do allow weird things to happen, even when you do everything else right.
99.9999% of processing problems are due to technique, processing equipment and chemistry, not the camera. I've never encountered a processing problem that could be attributed to the camera used to expose the film.
I won't say it's impossible, but it is really, really unlikely.
If it is the camera, then the most likely cause is mechanical not chemical.
The best way to eliminate or prove the camera as the cause would be to shoot a color roll and have it processed commercially at a reliable lab. If you want to be really thorough run a roll through each camera and have them both processed at a lab.
If you want to eliminate or prove your technique and chemistry, process two rolls together from the Mamiya, using the same chem mix you used earlier.
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