Well, here's my system;
I enthusiastically shoot several rolls of film in a day, telling myself I'll "document it later" and then proceed to put it "in a safe place" on a shelf in my darkroom, and then close the door to keep it safe for the 3 to 6 weeks I'll fume, fret and procrastinate before processing it.
I find it helpful to occasionally open the door, sweep the shelf with a glance and then spend several minutes in bug-eyed panic when I realize there are 40+ rolls of film to be processed; some dating back to the Eisenhower administration, and then suck copious amounts of air through my teeth as I promise to "do better" soon and close the door to forget the entire mess for at least another week.
Soon, in a blind panic, when I do secure, say, one of those rare six hour blocks of free time; I eagerly retire to my darkroom, rubbing my hands together in anticipation of some quality, creative time!
But, wait; the D-76 was mixed two years ago and the fix.. should it be PURPLE? Hey, the stop bath has NO SMELL! Oh well.
So then, I decide to mix a batch of some prune-juice based developer I read about over on "Darkroom Panic; a blog for the extra regular" and "give it a whirl" with no less than 6 rolls in my super-nikkor tank that more resembles a thermos than a developing tank.
Long story short, I hang several yards of very attractive, clear leader about 5 hours later and retire to my bed at 2 in the morning after sweeping up the assorted broken glassware and smoking piles of chemistry that were inadvertently knocked onto the floor as I struggled with the nikkor reels in the dark.
And, I can hardly keep from smiling, knowing that in only 6 to 9 more weeks, I can scratch that creative itch that inevitably comes from plenty of time, space and good supply of psychotherapy drugs.
It's a complex system, but it works for me.
Feel free to adopt any part of it and enjoy!