Photo Flo is a catalyst and wil build up on your reels over time causing over-development of the edges. There are other safer surfactants. One is LFN.They all pretty much work the same. A stop bath is even considered optional by many. You can opt for an indicator stop bath which changes color when it's "pooped" -- otherwise, you can do what I do and use one part distilled white table vinegar with four parts water as a one-shot stop bath.
Ilford Rapid Fixer is a liquid concentrate -- it's easy to acquire, mix and use. You should do a clearing test periodically to make sure your working solution still viable.
Pick up some Photo-Flo while you're at it.
I use a water stop with film and whatever fixer I happen to have put in my cart in the last order. A lot of fixers are pretty much the same thing doing the same thing, but a few are different. I am about to switch to TF-4 fixer once my Ilford Rapid Fixer is exhausted.
I have not used the TF-4 yet, only mixed it this weekend. I will let the experts weigh in here, but I am going with the instructions on the bottle with a 68 degree running water wash for 1 minute. Previously fixers I just did a couple of fill tank and dump cycles.Thank you Brian, Jim and Jeffrey for your quick and thoughtful responses.
I have been considering TF-4 for my fixer and have read that a water stop bath works well with TF-4. Is your water stop bath method/time the same as when using a chemical stop bath? Do you perform any agitation during the water stop bath?
I read somewhere that with TF-4 you go for 1-minute with the water stop bath and change water at the 30-second mark. Recommendations please.
Jeff
as others said,which doesn't matter much;get the ones that are easy to get ahold of for you or consider mixing your own from scratch but then you have to start liking powders, which is just fine.For nearly a year now I've been shooting with Fuji Acros 100 in my Hasselblad. Although my local lab does a good job developing the negatives, I want to start doing that myself. Not just to save a few cents on each roll, but I also want to gain personal control over the development process so that, over time, I can become confident in experimenting with different film and chemistry.
I've chosen Kodak HC-110 as the developer I'll use for my initial foray into this process. However, I'm looking for recommendations from the fine folks at APUG for the appropriate stop bath and fixer. I want to start with a proven combination of chemistry that will help me enjoy success. I prefer a liquid over powder; otherwise, I'm open to all recommendations.
Your kind assistance is sincerely appreciated.
Regards;
Jeff D Welker
jd, one thing to watch for is the dilution of HC-110 and the amount of developer in the solution. Regardless of which dilution you intend to use, make sure that there is a minimum amount of the developer in the solution. Depending on whom you ask, the minimum for a roll of 120 is somewhere around 3-6 ml.
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