The reference was to how to get something called "glow" in your B&W prints. Nikkors were not recommended because they generally don't display the "glow" according to the original author (Mike Johnston, I believe). I believe that those who desire the "glow" desire a different set of residual aberrations than one can find in most Nikkors.
They are crap. Give yours to me.
no way
I didn't say I don't like them
But I have seen that people saying stuff like nikkors have bad bokeh, bad whatever... that is why I post this thread. maybe I am missing something that is not obvious. In my opinion my 105/2.5 has beautiful bokeh.
I don't see why some people have so much aversion to nikon lens.
I'd say Nikon lenses have a certain character to them, but every lens does.
Below images with Nikon 50mm f/1.2
But I have seen that people saying stuff like nikkors have bad bokeh, bad whatever... that is why I post this thread. maybe I am missing something that is not obvious. In my opinion my 105/2.5 has beautiful bokeh.
Bokeh is one of those terms that drives me nuts. No reason...it just does! Maybe it is the spelling. Is it not a Japanese word? It sounds like one, but doesn't look like one with that H on the end of it.
Is that just the standard F-Mount 50mm f1.2? I love the circular DOF, I even build a lens to do it with my 4x5.
Obviously no Japanese words have the letters b, o, k, e, or h in them. As you say, the transliteration was done this way by Mike Johnston so that English speakers would pronounce it more nearly like the original Japanese than they would something spelled like poke or joke. He says as much in the Photo Techniques articles on boke(h) that brought the concept wider exposure in the US.That is true. It should be "bo-ke", in Japanese language there is no solo "h".
It is probably with "h" to sound more similar to original for English speakers.
Is that just the standard F-Mount 50mm f1.2? I love the circular DOF, I even build a lens to do it with my 4x5.
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