I for one greatly miss the real original Polaroid Type55. It had its flaws (print speed was different than negative speed, so you had to expose for one or the other, not both), but all attempts to date to recreate it have fallen far short of the original.
In the mid 70s, when I worked on the Kodak Instant Film product that became Fuji Instax film, we did a study of instant photography markets and 'naughty' was a leader.Is this Instax thing something naughty?
I have a Kodak 4x5 camera instant back that was modified to fit a 23 Speed Graphic. One of the challenges was the film plane was moved considerably to the rear so bellows were needed to make it work.Seriously, Instax has the potential to be a serious tool if/when serious cameras are made around this film.
The part in this text:
The biggest sea change in photography in my lifetime is the wholesale change from B&W to color. B&W is fast becoming dated as the marker of a certain time period in history.
sounds like a internet trolling to me. Not possible that he means it for real.
The part in this text:
The biggest sea change in photography in my lifetime is the wholesale change from B&W to color. B&W is fast becoming dated as the marker of a certain time period in history.
sounds like a internet trolling to me. Not possible that he means it for real.
it's all about the clicks and he's good at it
I just saw that Fuji sold 5.6 million Instax cameras last year. That 5.6 million FILM cameras. Jeez Mike Johnston...
... but most of his current blog turns into a 'biggest dick' contest of 4/3 camera users. All these people that have done everything!
it's all about the clicks and he's good at it
In the mid 70s, when I worked on the Kodak Instant Film product that became Fuji Instax film, we did a study of instant photography markets and 'naughty' was a leader.
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