Didn't collodion plates get varnished sometimes?That No-Scratch is the oil I hinted at, I still have my bottle from 1976. But I did not assume it is still available.
The lacquer surved the same purpose, plus it added protection against future scratching and chemical/biological harm to the emulsion.
The same oil for sure would give brilliance to a bad hairdo too...
That is a possible method too.Just use the oil direct onto your lens surface......Wow, I could use an emulsion-side oil to give brilliance to my cheap lens negatives..
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You can also use the oil on the bottom sides of your nose to do this.
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Yup... an old school approach.For real?
It's also used to lubricate the pressure plate in movie cameras.For real?
Don't let this old fashioned method hear your director of photography(in charge of). Exeption : You are this person. ....It's also used to lubricate the pressure plate in movie cameras.
This negative varnish that is being talked about is not a liquid that was sold to coat a negative (forgotten which side) so when dried, the negative had a "tooth" which the graphite retouching leads would adhere to is it? I remember seeing old prints that had been lacquered as the final step of finishing........Regards!If you have ever used varnish you know hat it is impossible to keep dust off the wet finish. So this sounds like a very bad idea. Now years ago FB prints were varnished using a VErY dilute solution. The coating was so thin that dust would not adhere. AA describes the method in The Print, 1st Ed.
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