In normal use, you wet the ink stick in water and kind of use a circular grinding motion on a stone-like thing that slopes and has a reservoir at one side.
Jon
oh, just noticed there is a picture upthread
Marshall's Spot-All is available and it is exactly like the old Spotone. Why get crazy with trying to make a sow's ear into a silk purse?
http://www.freestylephoto.biz/sc_search.php?rfnp=2500&q=marshall&rfnc=2504&
There are also the SpotPens - they come in sets of 10, from a just-barely-darker-than-paper-white to absolute black. They can produce a point as fine as a #00 brush. They have warm tone and cool tone sets. They're not cheap, but they're well worth the money.
There are also the SpotPens - they come in sets of 10, from a just-barely-darker-than-paper-white to absolute black. They can produce a point as fine as a #00 brush. They have warm tone and cool tone sets. They're not cheap, but they're well worth the money.
If you don't see so good, you never see spots needs fixin'
That's why I use -3.5 Diopter spotting glasses. Can't see a damn thing unless I'm on the Moon (or reach the print).
A photography teacher once told me a single bottle of spot tone should last your whole life. I've so far seen no reason to indicate otherwise. I'll will mine to Ralph if he's nice to me.
Peerless inks are good. I have used the color book for my RA4 prints, but I haven't tried the black and white stuff since I have a lifetime supply of Spotone.
I still have some original Spotone bottles: can I use them to spot films also, and if yes, on which side ?
Thx in advance.
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