Griswold 35m cement splicer. Common as sand fleas and with a bit of practice, easy to use in the dark. Of course, you will have to use tape unless you want to order Kodak film cement...
https://www.ebay.com/itm/Griswold-M...963528?hash=item1a9101cb08:g:wh8AAOSwEVtb5OKt
My Griswold doesn't have the nubs for the sprocket holes which make it hard for doing cine film but great for when I'm trying to cut my negatives between frames. Different cameras line up the frames differently with regards to the sprocket holes. I think there are other Griswold models that have the nubs for sprocket holes.I've got leader material at present, but I ordered it from Russia because I didn't find a US seller on eBay. Looks like Urbanski has as good or better price in short lengths; I've saved the link. And a splicer like that Griswold is exactly what I'm after -- nice, clean, straight cuts, even if I don't care about sprockets matching (no harm done if they do, though). Saturday's payday...
Great splicers but they are still very expensive!I used a Guillotine splicer for years. It was heartily abused every week when I was a projectionist and I was splicing reels onto a platter. It was solid and heavy, and the pins and built in cutter made fast work of any splicing. It also had a place for the spool of splicing tape. It was very nice, but since I left, the theater has converted over to entirely digital.
Is the Griswald illuminated? How do you see where the frames are?
Looking forward to seeing the results! Sprocket hole exposures can be fun and the panoramic format of 35mm in a medium format back is quite nice.
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