If you can't find one, this may be an affordable option:
https://www.ebay.com/itm/LPL-16x20-...778604?hash=item469a05bf2c:g:kLIAAOSwR6VdNTI-
Another possibility:
https://www.ebay.com/itm/Saunders-1...710921?hash=item4b66e32b09:g:qMkAAOSwwaNdGmit
Thanks but I can’t sign inThere is exactly what you want on the Large Format forum--- https://www.largeformatphotography....510-Saunders-Omega-16x20-non-adjustable-easel
outstanding. ThanksHere's one on Amazon - https://www.amazon.com/gp/offer-lis...TF8&condition=all&qid=1564605776&sr=8-1-fkmr0
I have a Delta magnetic one, but they don't seem to be available on B&H now.
Matt- I use hockey pucks on the intersection of the blades. Figured our northern friends did, too.A bit of removable tape plus a removable magnet at the intersection of the two movable blades helps with keeping the borders square and the paper flat.
As a resident of a part of Canada where palm trees grow, I'm afraid that I don't have any hockey pucks at handMatt- I use hockey pucks on the intersection of the blades. Figured our northern friends did, too.
I'm afraid that I don't have any hockey pucks at hand.
There are lots of people around here that play hockey indoors, so I'm sure I could find one.
First place I lookedTry eBay. I sold all my easels on eBay several years ago for next to nothing.
I have a home made vacuum easel for anything 11x14 up to 20x24, I've always been disappointed with normal easels for larger paper, especially fiber, not laying flat enough.
Yes. The paper can only go in one way, in one location, and it is easy to tell by feel that the paper is in all the way.Thank you.
-) is it really more speedy than lifting up the frame of a standard easel?
-) if one slides in the paper at one side, how then one would achieve a covered border at this side too?
AgX: One really had to have used one to appreciate both their advantages and limitations. There were (I’m guessing) thousands made and used. They were almost indestructible and were marginally faster. If one worked in a production environment or a situation such as a news media darkroom, they worked very well. I still use one when making quick proof prints. Once into making final prints, though, out comes the big 4 blade.But with a classic easel one just pushes the paper into the upper left corner. With some models the paper then is caught there, with others ones has has to keep it staying there while closing.
And with a good classic easel the border edges are sharp as the blades are in contact with the paper, I am not shure about the flanges of the grooves in the speed model.
DavidAnn: hope you’ve found one. You did have one years ago, because I bought it from you!
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