I have an upcoming trip with a high probability that my film will get x-rayed. So wondering if anyone knows specific film stocks that hold up well to x-ray.
The trip is Tokyo -> Peking (transit) -> CDG Paris -> Eurostar train to London -> Gatwick to Peking (transit) -> Tokyo. Traveling for the holidays with a tight schedule each day of the trip, may not be able to find an open post office to mail my film back to me.
Here's what I know so far:
Specifically, I'm wondering if orthographic films like Ferrania's Orto or Ilford Ortho 80 hold up well as the reduced spectral sensitivity might also translate to lower x-ray sensitivity?
- CT scanners are stronger than traditional x-ray machines
- China, France, and UK are known to deny hand-checks but Japan always allows it
- Low ISO holds up better
- Carry-on x-ray machine strength varies case-by-case, but typically weaker than check-in luggage scanners
- Lina Bessonova put up a blog post and video showing monochrome holding up better than color films, but only experimented with a few monochrome stocks, only one of which was 100 ISO or lower
- A lot of people online say they've x-rayed multiple times and seen no degradation, yet some people say one x-ray destroyed their photos
Specifically, I'm wondering if orthographic films like Ferrania's Orto or Ilford Ortho 80 hold up well as the reduced spectral sensitivity might also translate to lower x-ray sensitivity?
Buying the film where it'll be used and then processing it there (or having it processed) would certainly be a good solution, although not always practical (esp. the processing). Maybe ordering ahead of time and then picking up on arrival would work.Easy to buy film in Paris
I don't expect so; the exposure due to xrays is by definition not linked to spectral sensitization to visible light, since xrays are so much shorter in terms of wavelength (orders of magnitude) than visible light. There may be differences w.r.t. susceptibility to xray damage, but I expect those to be more related to things like physical cross-section of the silver halide grains. As a result, I would expect that high-aspect ratio grain films (a.k.a. 't-grain') might show a little less fogging than classic cubic grain emulsions. So maybe (and I'm going out on a very wobbly, long limb here) your best bet would be with films like Kodak TMAX 100, Delta 100 and perhaps Acros 100. And as said, slower emulsions will fog less easily.
Buying the film where it'll be used and then processing it there (or having it processed) would certainly be a good solution, although not always practical (esp. the processing). Maybe ordering ahead of time and then picking up on arrival would work.
I have an upcoming trip with a high probability that my film will get x-rayed. So wondering if anyone knows specific film stocks that hold up well to x-ray.
Specifically, I'm wondering if orthographic films like Ferrania's Orto or Ilford Ortho 80 hold up well as the reduced spectral sensitivity might also translate to lower x-ray sensitivity?
Medical x-ray films can either be panchromatic or orthochromatic
This article portrays the kinds of visible patterned artifacts that can be seen
"Ordering" may not work so well either
That's because medical xrays (insofar as they're still done on film) are not direct exposure of xrays onto the film. Xrays excite phosphors on a screen and then that screen image (which is plain visible light) is recorded by the film. X-ray film is also never panchromatic; it's either blue-sensitive, or orthochromatic (blue + green sensitive). The spectral sensitivity of xray film has no bearing on its actual xray sensitivity since that's not how the product is intended to work in the first place.
The damage shown on that link (which is copied from a Kodak article) is not representative of the overall fog and color shifts that result from CT exposure. That's why Bessanova's results look different. The article you link to is relevant for exposure to high-intensity regular/old-fashioned luggage screening machines such as used for hold luggage.
I was thinking about ordering with a local shop and asking them to hold the film until he comes and gets it. No shipping involved.
Do not put film in your camera, hand carry the film in a clear plastic bag, hopefully the security folks will hand check.
I have been doing this for years, it increases the chances that you'll get a hand check, it doesn't guarantee it in many countries.the other piece of advice I have is to put all your film in one ziploc style bag so that you don't need to rummage around for it. Get that bag out when you are at the security scan and say you have photo film, and ask for a hand inspection. All UK civil airports have been instructed to action these inspections. All American civil airports have done so for decades. There's a report on the airport X-ray thread about Japanese airports now actioning such requests.
Thanks for that info. Their website didn't as far as I can tell list their turnaround time for development. I think this will only be feasible for me if they develop in an hour.Easy to buy film in Paris.....last trip there I had my film processed by the pro lab Atelier Publimod
I don't expect so; the exposure due to xrays is by definition not linked to spectral sensitization to visible light, since xrays are so much shorter in terms of wavelength (orders of magnitude) than visible light.
Thanks for this. I don't know if this is true (both visible light and xrays are EM waves so I don't see why even magnitudes difference in wavelength necessarily means the mechanism by which they fog film is different but I'll take your word for it).That's because medical xrays (insofar as they're still done on film) are not direct exposure of xrays onto the film. Xrays excite phosphors on a screen and then that screen image (which is plain visible light) is recorded by the film. X-ray film is also never panchromatic; it's either blue-sensitive, or orthochromatic (blue + green sensitive). The spectral sensitivity of xray film has no bearing on its actual xray sensitivity since that's not how the product is intended to work in the first place.
I know you're going out on a wobbly limb here but I feel like a lot of people on forums indicated their TMax was minimally affected by xray scanners. Not scientific by any means, but I think this is good enough for me to lean towards TMax 100 and Acros 100 (classic). I have tons of them in my freezer.As a result, I would expect that high-aspect ratio grain films (a.k.a. 't-grain') might show a little less fogging than classic cubic grain emulsions. So maybe (and I'm going out on a very wobbly, long limb here) your best bet would be with films like Kodak TMAX 100, Delta 100 and perhaps Acros 100.
First I heard of that, but that's good news.All UK civil airports have been instructed to action hand inspection of photographic film. Some are still reluctant if they use traditional X-ray scanners.
As indicated by the original post, I'm aware of this blog post and video.Garb there are more CT scanners being installed in airports. Check out Lina Bessanov's website.....Lina did a big test with film & scanners.....it's a must read.
This seems to differ from Lina Bessonova's blog and video, so despite your experience, I'll probably steer clear of this.Anecdote....I pushed Delta 3200 to 12,800 after it had been through six airport X-ray scans and saw no visible defects
This seems to differ from Lina Bessonova's blog and video, so despite your experience, I'll probably steer clear of this.
Checked baggage gets nuked.
Lina is talking about the new CT scanners. My roll of Delta 3200 which I pushed to 12,800 went through several old style X-ray scanners.
One could also look at pulling B&W film. FP4 pulled to 64ISO would mean less noticeable damage than exposing at box speed. I would advise to travel with the slowest ISO you think you need, ask for hand inspections at every scan.
I'm not an expert about the structure of film but I believe any dyes in the emulsion are associated with increased radiosensitivity, so avoid films with dyes.
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