Despite claims from Bergger, BPF 200 has absolutely nothing to do with Super-XX other than being a nominally ISO 200 film, alas. Contrary to that article in _Shutterbug_, it wasn't a "French-made" film either in 2000. It was made by Forte in Hungary, now defunct, and it was identical to Fortepan 200.
I remember a few years ago Bergger BPF 200 was being promoted as not being re-branded Fortepan 200, but I can't imagine this was the case.
Tom
Ian Grant said:David, the Forte/Bergger 200 was based on Kodak's pre-WWII Super-XX emulsion which was introduced in 1938 and also made & coated at Kodak's Hungarian factory, it was an old style thick emulsion and probable had only been upgraded/improved slightly over the years.
My suspect that Koday is going to discontinue TXP came true
Even if Kodak does not produce a 220 film any more or the 320 version, why should they stop producing the world's best-selling B&W film?
Didn't Super-XX in its last incarnation(s) also use gold in the emulsion? Ron?...a film that was as expensive as Super-XX (about twice the cost of Tri-X), or that they could have continued pouring as much silver into film...
Didn't Super-XX in its last incarnation(s) also use gold in the emulsion? Ron?
Hello!
After delating KODACHROME with expiry date December 2010 I have realized that I had never seen TXP 320 with expiry date after September 2011 / February 2012.
I know that this is often believed about the films made in the former Hungarian Kodak plant, but given economic conditions in Eastern Europe in the time since Kodak sold the plant, and the general level of manufacturing in the Eastern Bloc, I find it highly unlikely that the film was unchanged during that time. Before Bergger started selling it, I don't think there would have been much of an East European market for a film that was as expensive as Super-XX (about twice the cost of Tri-X), or that they could have continued pouring as much silver into film during the Hunt Brothers bubble of the 1980s. They would have had to have found ways to make it cheaper. Fortepan 400, before it was upgraded in its last phase, didn't have anything like the density range of Tri-X, and Fortepan 200 didn't have the density range or color response of even the outdated Super-XX I've had the good fortune to use.
My latest batch expires 06/2012.
The announcement at the center of this conversation is not entirely accurate as no decision has been made to discontinue T-Max P3200 (TMZ).
I thought he clearly stated that TMZ was not being discontinued? If it wasn't mentioned in that interview, he did say in an email (quoted somewhere in this thread) that it was not currently discontinued.
I thought he clearly stated that TMZ was not being discontinued? If it wasn't mentioned in that interview, he did say in an email (quoted somewhere in this thread) that it was not currently discontinued.
My latest batch expires 06/2012.
i just bought 20 rolls of portra with that expiration date. ^
The original post stated that it was in the discontinuation list, but with an uncertain end date. That was later "clarified" to not being discontinued.
Given the way Kodak's communications have gone in the past, that is usually the pattern for "discontinued but we don't want to deal with the fallout yet." Time will tell.
For now, the official word seems to be "not discontinued."
Ah...This has been a bad past couple of years. I wish I had thousands of dollars to stockpile:
EPP
E100GX
TXP 120/220
Fuji Pro 800 120/220
Fuji T64 (and EPY, though I always preferred the Fuji)
Portra 100T
HIE (and also EIR)
Polaroid Type 665
Probably missed a few...but these are the ones I'll really feel the pain from.
That may be so, but with the rumors circulating around P3200, I have a feeling that this coating will be the last.
I am using a hybrid method to produce internegs in B&W, but I find that digital cannot replicate a color transparency or color negative with any degree of fidelity yet. So, duping is a real problem.
PE
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