What!? A CLA for a hallowed, top-level SMCP lens? No, not likely at all.

You say you bought this lens mint. If this lens had a fault, especially with the glass, John would have noted it and graded it accordingly. Very little escapes his attention when dealing with professional-level equipment and that's what this lens is. There are a number of APUG members who use this lens and swear by it. And rightly so.
I bought my
75mm f2.8AL mint from John at Camera Exchange too, and I can tell you it is the finest lens I have used so far, just slightly ahead of my other two "golden oldies" (ancient Distagon designs) — the SMC Pentax 45mm f4 and the SMC Pentax 55mm f4. There are no chroma or sharpness problems in normal use; there
is barrel distortion (it is not a rectilinear lens: if it were it would cost several times more). Moreover, contrary to common application, the 75 AL is
not a macro lens or even a close-focus lens in the strictest sense, although it does get surprisingly close for this focal length. The sample images you have posted tell me nothing other than you are too close or have used a deep aperture and introduced diffraction that, despite the lens design, will not get you out of trouble. Another potential problem: focusing screen calibration. After 10 years of constant use, the 6x7 / 67 focusing screen should be reset with a collometer to establish true infinity focus (matt area and 2 points in the central prism). If you are using a macro lens, a focusing fault will not be pronounced with either lens. Critical focusing of subjects at infinity and examination of the results with an 8x loupé on a lightbox will establish if there is a fault like this.
This is a sample image of the 75AL at work (shot at f11). Don't be concerned about a perceived lack of sharpness in this image — it's a quick scan for client briefing. The transparency is in-process for printing quite large at the time of posting this.
