Small review of the Mamiya 50mm f/4.5 ULD (RZ)

Hydrangeas from the garden

A
Hydrangeas from the garden

  • 2
  • 2
  • 47
Field #6

D
Field #6

  • 6
  • 1
  • 65
Hosta

A
Hosta

  • 16
  • 9
  • 136
Water Orchids

A
Water Orchids

  • 5
  • 1
  • 80

Recent Classifieds

Forum statistics

Threads
197,914
Messages
2,766,809
Members
99,500
Latest member
Neilmark
Recent bookmarks
1

tron_

Member
Joined
Dec 25, 2011
Messages
412
Location
Michigan
Format
Multi Format
First off, I'm not too sure if this is the right place to put this but I thought I would write up a little review of this lens since I had a little bit of a hard time finding information regarding this lens. If the moderators feel like this isn't the best place for this post, please feel free to move it.

When I bought my RZ67 kit, it came with the 110mm f/2.8 lens. It's a great lens and I really enjoy it but recently I found myself wanting a wide angle more and more. So I debated between the 65mm and 50mm and wound up deciding on the 50mm.

I would browse eBay from time to time to see how prices were and last week I found one for sale for $375. I offered the seller $350 and he accepted. From what I have seen online, this is a pretty good deal :smile:

As you guys know, 50mm on the RZ comes out to a focal length of ~24mm on a 35mm film camera. The 110mm is an ~50mm equivalent. The following photo illustrates how wide the 50mm really is:

tumblr_mf3f7d7ALP1rw5bhpo2_1280.jpg
tumblr_mf3f7d7ALP1rw5bhpo1_1280.jpg


It’s a bit ugly but hey it’s the function that counts right?

110mm
tumblr_mf3f7d7ALP1rw5bhpo3_1280.jpg


50mm
tumblr_mf3f7d7ALP1rw5bhpo4_1280.jpg


Anyways, I went to Ann Arbor with a couple friends this past weekend and I decided it was a good time to use the lens. Please keep in mind these are not my best photos, it was more of a trial to see what I could get from this lens.

I shot these on Ilford XP2 Super shot at 800 instead of the rated 400. I also used a Hoya K2 filter with these.

The lens itself was really a joy to shoot with. The floating optics ring took some getting used to, basically after focusing I had to look at the distance scale on the side of the camera, see how far the subject was, and then dial in that distance on the floating optics ring. Other than that I was pretty surprised to see the the lack of any major distortion with this lens. Yes all wide rectilinear lenses will have distortion but this lens does a pretty good job keeping that distortion to a minimum.

Other than that the lens was very sharp and had tons of contrast (I also shot a roll of Ektar 100) and the colors looked great. Overall I have to say this is a really great lens and I'm happy I bought it. I would definitely recommend it to anyone who is looking for a wide angle for their RZ!
 

kbrede

Member
Joined
May 23, 2012
Messages
285
Location
Nebraska
Format
Multi Format
Thanks for posting this. I went with the 65mm but at some point will probably take a look at the 50mm. What's the "floating optic ring" for?
thanks,
 

Ian C

Member
Joined
Feb 8, 2009
Messages
1,240
Format
Large Format
What's the "floating optic ring" for?

Retrofocus wide-angle lenses of the shortest focal lengths tend to produce a curved field of focus about the subject at extreme close focus. It’s shaped like a portion of a sphere where we expect a lens to produce a flat plane of focus. Some of the better lenses of this type use a single element or two-piece compound element between the front and rear optical units that moves independently of the rest of the lens. The independently moving unit is known as a field flattener. By moving it to the proper position inside the lens assembly, the curved field of focus is flattened as we’d expect of a good lens. The independently-moving field flattener is sometimes described as a “floating element”.

These are moved as necessary by a cam assembly as you turn the focusing ring on helicoid-focusing lenses like 35mm SLR lenses. But the RZ67 is a bellows-focusing camera. In this case we have to turn a “float ring” to manually adjust the position of the field flattener after first focusing the lens. Some close-focusing macro lenses also have an independently-moving field flattener unit. Some examples are the 105mm Micro Nikkor and the Mamiya 140mm macro lens for the RZ67.
 
OP
OP

tron_

Member
Joined
Dec 25, 2011
Messages
412
Location
Michigan
Format
Multi Format
Thanks for posting this. I went with the 65mm but at some point will probably take a look at the 50mm. What's the "floating optic ring" for?
thanks,

From what I understand, the floating optic ring controls a piece of focusing glass that is rotated in order to combat astigmatism and promote corner sharpness. I've read that the corner sharpness thing is more noticable at smaller distances though and that most people just set it to infinity and step down. I don't know the optical theory as to what it does, maybe someone smarter than me can tell us more about iit :smile:
 
OP
OP

tron_

Member
Joined
Dec 25, 2011
Messages
412
Location
Michigan
Format
Multi Format
Retrofocus wide-angle lenses of the shortest focal lengths tend to produce a curved field of focus about the subject at extreme close focus. It’s shaped like a portion of a sphere where we expect a lens to produce a flat plane of focus. Some of the better lenses of this type use a single element or two-piece compound element between the front and rear optical units that moves independently of the rest of the lens. The independently moving unit is known as a field flattener. By moving it to the proper position inside the lens assembly, the curved field of focus is flattened as we’d expect of a good lens. The independently-moving field flattener is sometimes described as a “floating element”.

These are moved as necessary by a cam assembly as you turn the focusing ring on helicoid-focusing lenses like 35mm SLR lenses. But the RZ67 is a bellows-focusing camera. In this case we have to turn a “float ring” to manually adjust the position of the field flattener after first focusing the lens. Some close-focusing macro lenses also have an independently-moving field flattener unit. Some examples are the 105mm Micro Nikkor and the Mamiya 140mm macro lens for the RZ67.

^See above for said smarter guy than me
 
Last edited by a moderator:

Ian C

Member
Joined
Feb 8, 2009
Messages
1,240
Format
Large Format
I’m no smarter than anyone else. I read the explanations of field flatteners some years ago. These were accompanied by good diagrams to aid our understanding of the mechanism. The flattening unit moves forward and back lengthwise inside the lens barrel. Similar independently-moving units are commonly employed in the design of zoom lenses to change focal length and to keep the field acceptably flat.
 

vertex ninja

Member
Joined
Jun 17, 2009
Messages
8
Format
4x5 Format
I know this is an old thread but I'm researching a future purchase and had a quick question. The vignetting that appears in a few of the images, was it caused by a filter, multiple filters, hood, or something else? I ask because I'm considering the hitech modular 85mm filter holder(a lot cheaper than the 100mm) and was not sure if this would cause vignetting on the 50mm with a single filter. I have the 65mm L-A now so not a problem, but might consider picking up the 50mm in the future. Thanks for the help!
 

TareqPhoto

Member
Joined
Nov 19, 2009
Messages
1,171
Location
Ajman - UAE
Format
Multi Format
I know this is an old thread but I'm researching a future purchase and had a quick question. The vignetting that appears in a few of the images, was it caused by a filter, multiple filters, hood, or something else? I ask because I'm considering the hitech modular 85mm filter holder(a lot cheaper than the 100mm) and was not sure if this would cause vignetting on the 50mm with a single filter. I have the 65mm L-A now so not a problem, but might consider picking up the 50mm in the future. Thanks for the help!

I tested my 50mm with 1 filter and i didn't see vignetting as long it is not big stop and not stopping the aperture al the way to say f16-22, if i use more filters then i can expect vignetting, but if you shoot in bright days it will show very slightly vignetting, i tested on color films, B&W film is way more forgiving for vignetting.
 

vertex ninja

Member
Joined
Jun 17, 2009
Messages
8
Format
4x5 Format
I tested my 50mm with 1 filter and i didn't see vignetting as long it is not big stop and not stopping the aperture al the way to say f16-22, if i use more filters then i can expect vignetting, but if you shoot in bright days it will show very slightly vignetting, i tested on color films, B&W film is way more forgiving for vignetting.

Thanks! As I said, I don't currently have the 50mm but will likely pick one up at a later time and was curious if I'd have problems with the smaller filter system; so good to know.
 

TareqPhoto

Member
Joined
Nov 19, 2009
Messages
1,171
Location
Ajman - UAE
Format
Multi Format
Thanks! As I said, I don't currently have the 50mm but will likely pick one up at a later time and was curious if I'd have problems with the smaller filter system; so good to know.

If i will have time and in mood i will post something taken by 50mm and filters, or do as the OP, shooting the camera with 50mm and place a filter or few filters in front and see how it will show on that WLF screen.
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom