Which commonly available modern 35mm SLR bodies, with commonly available adapter if necessary, will mount M42 screw mount lenses? Will any of them do aperture priority auto with a manual screw mount lens? Is there a practical discernible difference in image quality between lens adapters which are simply a ring with air in the middle and those which have an additional lens element?
I recommend against using an adapter with glass in it; the quality is generally very bad (like, visibly horrible) and the adapter acts as a teleconverter so you end up with a longer, slower lens than you thought you were using. You got a nice big list of mounts above, but the ones I know about are:
- Minolta/Sony AF: glassless
- Canon EOS: glassless
- Nikon: with glass if you want to achieve infinity
- Pentax-K: glassless IIRC
The main issue for adapting glasslessly: is the registration distance (from lens flange to film) short enough that the adapter can have non-negative thickness? If the camera is "thinner" than an M42 body, you just make the thickness up with the adapter and achieve correct focus. If the body is too thick, you have unavoidable additional extension (causes the lens to focus closer), so you're forced to either have glass in there or not achieve infinity.
Some people have been known to modify old cheap lenses (e.g. Rokkor 55mm f/1.2) to make them fit on newer (e.g. Alpha) bodies by machining down the lens mount and replacing the bayonet to achieve correct focus on a more modern (often digital) camera. The Rokkors in particular are cheap because it's difficult to adapt them to a modern camera without modification, at least compared to M42 lenses, the reason being that Minolta MC/MD (manual) cameras have an unusually short registration distance.
And another related question: what is the minimum distance from the camera at which a lens set on infinity would be expected to be in focus (making no allowance for depth of field)? Does it vary by focal length?
If the lens is calibrated properly, it will be focused at infinity, i.e. with parallel rays. However, even the fastest (f/1.4ish) lenses have non-zero depth of field because film is not infinitely sharp - there comes a point where something is so far away therefore so small on the film that it is smaller than the natural softness of the lens, i.e. it is inside the DOF whether you would like to disregard that or not. For example, 50mm f/1.4 has a hyperfocal distance of 90m even with a very tight sharpness criterion of 20um, which means that everything past about 90m will be focused when you're at infinity. In that case, the blur due to lens aberrations wide open will likely be greater than the softness due to DOF for anything more than about 10m away.
What the manufacturer marks the lens with (i.e. the largest non-infinity point on the distance scale) is completely irrelevant, that's just paint on the barrel. You need to google up a DOF and/or hyperfocus calculator and see what's going on with the focal length and aperture of your particular lens.