Preferably an automated one.
For a couple of years, you couldn't give this stuff away.
"Slide shows" had a terrible reputation and were treated as events to be avoided at all costs. The family photographer would take the slides of a vacation, wedding, what have you and load them, unedited, into a tray and then show two trays of 140 slides to their audience. "Here's the sunset, and now Janet in the sunset, the sunset in the parking lot (you can just see our car there, to the right) and the sunset from our hotel room..." No editing, and not one keeper in the whole tray.
When it came time to clean out the estate I am sure the slides were dumped with glee into a bin bag and the projector and trays sold to whoever would take them - "$5 for the lot? You bet, it's a deal. Need help getting all of it in your car?" Or the projector, trays and screen went into the dumpster.
It's the same with phone pictures. No editing. Nothing more boring. I also count other peoples' wedding albums among the things to be avoided.
Though I wax exceeding cynical - these photographs were taken as an aide memoir and so serve a purpose for the photographer and others present at the event - and if only they had been edited down someone would have watched them.
I inherited three carousel projectors from my father, along with countless empty trays. He had edited down his slides to one partly full tray and chucked the rest. Worth watching now and then. I edited down my mother's movies and spliced the keepers into one reel - again, I watch them now and then. At the final clean out of my parents' estate my sisters wanted nothing to do with the family photographs and films.
I just have to snap it on to catch company unaware. In the old days, they'd see you start taking your projector out and feign a headache and claim they need to go home early.
Slide projection can be an experience which almost takes your breath away...but mainly for the person who took the shot, or maybe for other photography afficianados who have not experienced color slide projection previously. Over 2 decades ago, I had the opportunity to take a photography workshop conducted by a contemporary and friend of Ansel Adams and his wife Virginia, a lady named Marion Patterson (she is still alive). Most photographers were shooting 135 and projecting those slides. When it was my turn to exhibit my 3 medium format slides to the workshop members, the amazement from the audience at the increase in quality was apparent, and Marion commented both about my photos technical merit and also about projection of medium format.
But as pointed out, most slide presentations to a non-photographically oriented audience are mostly so much boredom at the involuntary nature of the hostage situation! It does not help when the photos are 'snapshots' not worthy of exhibition.
The Kodak Carousel line is an amateur-oriented quality line, and a professional/business-oriented comes is the Kodak Ekatagraphic slide projector series. If you find an Ektagraphic, particulary in a thrift store, snap it up!
the Ektagraphic is designed for professional AV use, meaning a heavy duty cycle. A projector is left running 10-12 hours a day during things like trade shows, the Ektagraphic just was apparently made a bit tougher...when new its warranty was 3 years, not 1 year.
Neverthless, one person, with repair experience, commented
"the innards of all of them arebasically the same, AND that there is only one part that gets replacedregularly. That is the link between the solenoid that activates theadvance mechanism and the actual mechanism. It is make of a semi-hardrubber that eventually will crack and break. This only happens when theunit gets fairly old (10+ years?). The only other parts of the Kodakprojectors that I have had to replace are the clutch spring (in maybethree units), and the bulb sockets, which I think comes from user errormore than poor part design. What all this boils down to is that there areno Kodak models that I wouldn't reccomend based on reliability. I would,however, definitely buy one with autofocus!"
An A/V professional identified what he thougt were the advantages to the Ektagrphic line, in spite of the apparent commality of so many parts
- the Ektagraphic is designed for professional AV use, whichmeans a heavy duty cycle. A projector is left running 10-12 hours aday during things like trade shows, so the Ektagraphic just was madea bit tougher.
- Better alignment of the slide in the gate, providing for better dissolves/simulated motion with mutliple projector presentations
" The pushing of the slide to the side of the gate is one of the major
features of the Ektagraphic for the AV, multi-image professional."
- the Ektagraphic is design to hold a "hotter" or higher lumen output lamp and be able to do so over long
periods without seriously affecting the life of the projector. (at the cost of more expensive bulbs)
Keep in mind that constant projection WILL effect the lifetime of the dyes in the slide!
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"Do color slides fade?Exposure to light and heat can cause the dyes in the film to deteriorate over time, resulting in faded colors and washed out images....and even constantly-changing projection subjects slides to more heat and light than in a dark storage place. You might consider duplication of the slides to be projected constantly, and filing away the originals!
Why do you have to do that? I don't show my pictures to anyone. Why show them to people who are not interested? I like to project my slides for myself. I don't make slide show. I sometimes would look at one slide for a long time and others I wouldn't even put them in the projector.
I find it very sad that the very best that digital presentation can do is but a very small fraction of what our cameras can capture...scarcely approaching what a slide projector can present! Even 4K is equivalent to (roughly) digital cameras from 20 years ago. 8K can present 33MPixels, but still costs $3-4k (or more).
Here's one of my slide shows you can suffer through. If interested, pick 1080 HD high resolution and turn the volume up. You can watch on your TV, cellphone or computer.
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