Intriguing thing lies in the name. Polyxentar recalls Xenon, Xenar, and Tessar with me. We know that Schneider and TTH have cooperated, see the Opic-Xenon story. Polyxentar designates precisely what it is, many (poly) Tessar to form something near a double-Gauss six-glass design. Symmetry does not harm LF photography, so the lens has at least the potential of wider relative aperture. The Opic was more or less limited to f/2.0 max.
The Polyxentar bears the Goerz Celor within, to some extent. From that most important design the f/1.9 Velostigmat was deducted and the Kodak Ciné Anastigmat of equal speed, the two with glasses in contact in each group but not cemented. One can understand the Celor enhanced by achromats here, a specialty are the two plane surfaces.