The Ilford speed-matched filters and dichro-head settings are designed to keep a middle grey the same density in the print while moving the highlights and shadows around as the contrast is changed. For those of us who base print exposures on a highlight value, these settings are of little value, plus they add neutral density, which increases print exposure times. When printing VC, I don't even think in terms of a setting for a particular contrast grade anymore except as a starting point. After that, I add magenta or yellow as needed to get the contrast I need. Exposure for small increments just gets estimated (it gets refined later anyway). If I'm making a large change, I'll make a new test strip.
Best,
Doremus