Are they both positive (magnifying) lenses, or is one a negative lens? Is it possible you've lost one element? I suspect you have a "triplet" which should have a positive front element (largest diameter, convex to the world and flat on the back), a negative middle element (flatter side forward, deeper concave to the rear), an aperture stop, and a positive third element (smaller than the front one, and flatter side toward the stop). A Tessar type is the same thing with the rear positive element replaced by a cemented doublet (which may be difficult to distinguish from a single piece of glass). Based on what you have there, your aperture and rear element might still be in the mount in the camera (behind the shutter, most likely).
If both elements you have are positive, you may instead have a "Periskop" type, two meniscus lenses mounted concave toward each other with the aperture stop between -- but usually those would be identical front and rear elements, and the shutter would be between the elements, almost touching the aperture.
One is magnifying, the other seems to reduce.Are one or both pieces positive lenses (thicker in the middle than the edge, magnifying)?
Aah. Okay, same diameter, or very nearly so. Most likely one is small enough to drop all the way into the threaded collar, convex first, while the other will hang on a shoulder and should go convex up (i.e. concave sides together). This kind of double meniscus or "Periskop" is usually mounted with aperture and shutter between the lenses; it gives almost perfect aberration correction that way (but is limited to about f/11). Normally, both would be identical positive meniscus, of twice the final focal length (or close to it). If one of these is negative, it'll be the rear one (toward the film) and it may be there mainly to correct field curvature.
Okay, I found this page that says you should have an "achromatic combination meniscus" so both of those pieces may be cemented doublets, but the fit should be the way I described.
So if i understand correctly, the flat side of the magnifying would face the world like so.
Then the slightly concave negative would rest right behind it. (They dont sit flush though.)
It seems to be the right way! I came up with a way to check the old 4x5 box cameras. Parchment paper across a mat, using the cellphone to take a photo since obviously i cant get my head in the box.
I don't know that that's right -- it's hard to be sure, because (probably) the cell phone isn't focusing on the image. Based on your photos, you may need to reverse the front doublet, the put more convex side to the world.
If you have any way to precisely measure the distance from lens to film plane, you could set up the lens outside the camera and project an image of something 15-20 feet away (that's a guess on where the hyperfocal distance would be for that lens).
Okay, I found this page that says you should have an "achromatic combination meniscus" so both of those pieces may be cemented doublets, but the fit should be the way I described.
To my understanding a ""achromatic combination meniscus", is a achromate, thus one positive and one negative lens element cemented to each other, though in its whole forming a meniscus.
Well, I am surprised to learn of a box at all that got a lens made up of 3 elements. But if so I would try to form a Cooke-triplet.
However the elements you describe do not fit this design.
A lens description for the Improved Magazine Cyclone is on page 4 and the Senior is on page 5 of this 1895 catalog.
http://piercevaubel.com/cam/catalogs/1898cyclonelp810.htm
It says the Senior has a universal in focus achromatic combination meniscus lens.
The Improved Magazine describes its lens as a combination achromatic meniscus pattern consisting of a positive crown glass lens combined with a negative flint glass lens, corrected for actinic light. IOt states that no better lens for universal focus work can be produced. The Senior likely uses the same lens.
I do not know how to tell the difference between Crown Glass and Flint glass. A positive element should magnify and a negative lens reduce.
What is Actinic light?
I was being rhetorical, likely referring to the clear bluish light of the day before the industrial revolution pollution turned the sky grey.The actinic light... looking at google it seems to have something to do with bright blue light? I wonder if it has to do with handling UV?
It means "active" or "effective" light. In our case light for which a photographic emulsion is sensitive. Typically blue light is meant.What is Actinic light?
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