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- Mar 13, 2011
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- 35mm
The main problems I hit with repairing lenses are:
The ball bearing which provides the aperture click - you need to watch this like a hawk or it will fall out, either bouncing onto the floor or sticking to something unlikely depending on whether it has any grease on it.
Cemented element groups where the fungus has got into the cement. Short of having the parts separated and re-glued (a really high-precision job for a professional) there's nothing that you can do.
I have never regretted anything bought from KEH. It costs more, but it seems like they really do check. I tend to wait until I have multiple things I want, though, as buying one small thing ends up with ridiculous shipping.
New Zealand is a very small market compared to, for example, Australia. If New Zealanders don't look after their cars, bikes and motorcycles, I imagine they aren't particularly endowed to their cameras and lenses. Do you buy solely from New Zealand, or is there a missing reference to surrounding Oceania e.g. Australia?
Ummmm. doing something over and over again and getting the same result while expecting something different to happen is one definition of ... insanity. Sounds to me you are a sucker waiting to be plucked. Get used to it. We all have different skills. I am a bummer at selling. I have been buying used lens and cameras from the Internet lately and I mostly get first-class stuff. If I see too much hype I don't buy and I bid low. It's hard work not gimme that one I want it.
This week I got a Minolta XG-M with the original box and paperwork plus a 45mm f2 Rokkor-X lens. Everything looks brand new and the box itself sells for more than I paid for the whole works.
I was hoping the lens was a Leica/Minolta one but it is a cheaper lens but the whole deal is worth maybe $100 more than I paid.
I recently I got a Yashicamat and you have to look it over really good to see that it is not brand new out of the box.
I really work at going over the listings in the auctions.
p.s. except for sticky shutters, major fungus/scratches, and sticky aperture blades in a SLR lens, most of the other afflictions are fairly innocuous in their affect on images.
Minor nicks and scratches have a lot more impact on value than performance. But even minor haze really does cause problems. You might shoot quite a lot of pictures without it showing up at all, but get some contrasty light or a person against a bright wall, and then it shows up and makes a mess of things. Luckily that one is usually not a big deal to fix.
On the issue of oily mess with lens cleaners; ROR will certainly loosen up any oily residue. I use it when I need the extra help, but expect to have to do 3 to 5 applications to get the mess cleared up. That is on a lens that hasn't been cleaned with it before (even a new lens, in my experience). I don't know where the muck comes from, but it doesn't seem to come back to any great degree once thoroughly cleaned. I mostly use breath with microfiber cloths, and a lens pen. ROR if necessary.
The Seneca lens - don't take my word for being a RR, that is just an educated guess. I'd just hate for you to be disappointed if you are expecting something else. I've always meant to try RR's since they seem like neat lenses. I couldn't make out the short focal length, maybe 6 or 8". You should be able to focus either.
The haze became apparent in a backlit shot....
Pray tell, what is ROR?
Yes, people will sometimes accuse you of being to fussy about haze, but I often notice it from seeing the evidence in prints, then go hunting for the cause.
ROR is a brand of lens cleaner. Stands for Residual Oil Remover. It does work, but initially often makes things worse until you persist and get all the mess off. They used to make outrageous claims about how improved lens performance, but I believe quit that many years ago. It is often unnecessary, but great when you do need it.
Sounds you need to find some other folks and make up a bulk buy from KEH!That all sounds good in theory but that is based on buying in the USA. Here in New Zealand the selection is far smaller on the local auction site and the prices far higher. It's sort of take what you can get a lot of the time. Currently there is a single OM4 for $500 so if you want one that is what you pay, another might not come up for 6 months.
Sounds you need to find some other folks and make up a bulk buy from KEH!
OK, considering your username is PentaxBronica, have you attacked many Bronica lenses? I have one where the flash won't fire (150mm PS) - how hard would that one be?
Nope, never needed to take one apart yet. I have had a couple of blank frames recently though, really need to work out whether they were a lens or body problem. There seems little pattern to them - had one on the second frame of a film (the rest were fine) and the other on the penultimate frame (the rest were fine, even the final one). I suspect it's a case of gear that needs more exercise.
The Bronica lenses have the shutter mechanism built in, so I wouldn't fancy opening one up.
Not too bad, but I have my doubts that the shutters, electronically controlled except 1/500th, are easily serviceable; especially for something like flash sync. I suspect that the Seiko shutter mechanisms, with flat flexible cable and all, are probably made all of a piece, and are designed to be simply replaced. I don't know that conclusively, though.The Bronica lenses have the shutter mechanism built in, so I wouldn't fancy opening one up.
Not too bad, but I have my doubts that the shutters, electronically controlled except 1/500th, are easily serviceable; especially for something like flash sync. I suspect that the Seiko shutter mechanisms, with flat flexible cable and all, are probably made all of a piece, and are designed to be simply replaced. I don't know that conclusively, though.
Hoffy, the standard procedure of cleaning the contacts on the back of the lens is worth trying. They are gold plated, so use alcohol or similar on a swab or fine cloth, nothing abrasive. I doubt it's worth repair if repair is what it needs, but maybe. Contact Koh's Camera and see what they think.
EDIT: here's a nice tutorial on disassembly of a 150/3.5 S lens. A PS will be similar.
www.buonaluce.com/Slens.pdf
It shows which is the flash contact on the back of the lens. You could try to trace and look for a bad solder joint inside the lens; if the fault is in the shutter module itself that would be a delicate job if you were motivated to tackle it, but you might succeed. I would only do it for fun. If it came to that it makes more sense to buy another lens and sell for cheap the one you have, to someone who doesn't care about flash sync.
Actually selling the lens for a bargain basement price is probably not a bad idea. I had thought of keeping it and getting another focal length for flash work (keep uming and erring between a 110 macro or the 180).
I have a lens I've been looking at, on ebay and used via amazon. but this scares me for some reason. the lens is in good/great shape but the dreaded "there is dust inside the lens but it wont affect image quality."
thoughts on that comment? experiences?
I have a lens I've been looking at, on ebay and used via amazon. but this scares me for some reason. the lens is in good/great shape but the dreaded "there is dust inside the lens but it wont affect image quality."
thoughts on that comment? experiences?
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