Finally, between the Fuji GF670 and Plaubel Makina 670, which one - if any - would you pick and why? (Also, what are the differences between the Plaubel Makina 670 and the Plaubel Makina 67?)
Perhaps some of you have better suggestions on where I can put the roughly $3000 I'd be spending on either the Fuji GF670 and Plaubel Makina 670? Is there another lightweight and portable 6x7 film camera that I'm missing?
Finally, between the Fuji GF670 and Plaubel Makina 670, which one - if any - would you pick and why? (Also, what are the differences between the Plaubel Makina 670 and the Plaubel Makina 67?)
Many thanks for your time and help!
I used to be enamored by Fuji GF670 and pulled the trigger a few years ago. The camera was simply too fragile to be practical and nailing critical focus was not easy: the focusing helicoid felt toy-like and imprecise, without a reliable infinity stop. In hand, it felt plasticky and way cheaper than its high (even then) price. Made all the wrong sounds: the shutter was silent but film advance was on a loud/clicky side, basically the least engaging camera to shoot I ever owned. Additionally, the rangefinder kept drifting and needed periodic re-alignment which wasn't nearly as easy to DIY as a Leica, for example.
I sold it and flirted with an idea of switching to Makina, but talked to a few owners who basically said the same thing: too fragile for daily use. I tried to approach a Mamiya 7 but it's too ugly to be in the same room with me, so I abandoned that idea. Recently I acquired a couple of cheap Soviet Moskva and Iskra rangefinders, and they cemented my convinction that if you want light & portable medium format camera, steer clear of folders and get a TLR. The square is the superior format anyway and it's important for any photographer to relaize this before their death.
6x8 gives you 9 frames
Siriuously? - Confusing the conversation with a Hassle again? ...
Thanks to the OP for starting this thread.
I do have a Hasselblad and love it, but I find it pretty heavy (with a couple of lenses along for the ride) when taking it on a hike. So I've also been considering a lighter all-mechanical 6x7 MF camera. I'm enamored with the Makina, but not the price or reported reliability issues. I'm going to take a closer look at the Fujicas, one of those might be the ticket.
Siriuously? - Confusing the conversation with a Hassle again? MF SLR's are really in a different category in terms of portability and shooting style. Compare apples to apples, not to watermelons.
The OP was quite specific and very clear in asking for recommendations concerning a “lightweight and portable 6x7 film camera.” Hasselblad is not that.I guess that I need to hold your hand as I walk through this with you. The OP raised the point that one option could cost him $3,000, wlth that kind of money the OP may want to check out buying a Hasselblad. Gee that was not too hard to follow was it? Please let go of my hand now.
Thanks to the OP for starting this thread.
I do have a Hasselblad and love it, but I find it pretty heavy (with a couple of lenses along for the ride) when taking it on a hike. So I've also been considering a lighter all-mechanical 6x7 MF camera. I'm enamored with the Makina, but not the price or reported reliability issues. I'm going to take a closer look at the Fujicas, one of those might be the ticket.
No point in raising facts, as they are like water on a duck's back to him.The OP was quite specific and very clear in asking for recommendations concerning a “lightweight and portable 6x7 film camera.” Hasselblad is not that.
I second this. The Mamiya 7ii is by far my most favorite camera.And this is where I would recommend that the OP have a look at the Mamiya 7 or 7II, given his affinity for rangefinders. I had a 7II 20 years ago and really enjoyed it, but rangefinder compositions are no longer my thing.
Hasselblads are great I agree, but I also agree that long hikes are not their forte. Even with a much improved shoulder strap from Optech I didn’t like long walks with one due to the bulk and tendency to bounce around. Just a personal preference And once you try a long hike with a slim 6x7 the difference is noticeable.
Hasselblads are great I agree, but I also agree that long hikes are not their forte. Even with a much improved shoulder strap from Optech I didn’t like long walks with one due to the bulk and tendency to bounce around. Just a personal preference And once you try a long hike with a slim 6x7 the difference is noticeable.
There's nothing non-portable about a Hassie system. Heck, that's a small camera to me - I've hiked perhaps 15,000 miles with a 4x5 Sinar System in the pack, quite a bit with a P67
gear, many times even with 8x10 gear.
I carry the Hasselblad and two lenses in a backpack with the SWC. Since the weight in on my back, well balanced, it is not a problem to backpack the camera.
A backpack would have been a better choice. At the time, I only had a shoulder bag for my Hasselblad gear.
I carry the Hasselblad and two lenses in a backpack with the SWC. Since the weight in on my back, well balanced, it is not a problem to backpack the camera. But I will also use the same toploading backpack with a Nikon AF for color with a 28mm to 200 AF zoom lens a Nikon AF for black & white with a 28mm to 300mm AF zoom lens and they share a 20mm to 35mm AF zoom lens. I will only carry one 4"x5" camera in a backpack at a time.
So... someone very kindly offered me their Mamiya 7 with the 65mm, 150mm, and 210mm lenses (with its separate viewfinder) for a grand total of $2k, BUT the internal light meter doesn't work with any of the lenses. Apparently the light meter doesnt work at all.
Do you guys think this is worth it? Despite the light meter not working, I assume most of you would say yes, but I would definitely want to fix the light meter if possible.
Would any of you guys know how much it would cost to fix the light meter in the Mamiya 7 or if its even possible to fix said light meter?
Many thanks!
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