Pick it up, try it out. You can never know whether or not you will like working with a larger format until you try. In my opinion, even if you return to 35mm, anything that gives you the chance to step outside your comfort zone for awhile is a good thing.
I'll go out in a limb - unless you are intentionally aiming for a grainy look, bigger negatives ARE always better _all other things being equal._ They rarely are equal. 35mm has advantages of size, weight, speed of use, automation and lens availability that can make it the best tool sometimes. (Or at least it CAN - with one of the pro grade autofocus 35mm cameras one might as well be carrying a MF SLR. But there are still advantages in lens availability even then.)
A technically better negative does not always mean an artistically better print either.
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So, I want to dip my feet into the world of MF (mainly because 120 slides are awesome)
I don't go out with the intention of photography, but living in NYC, I always have a camera with me
So I'd like something to throw in a bag and walk around with
I'd like something quick to deploy, and I don't think I get along too well with WLFs (wearing glasses and WLFs is not fun) though I may get used to it
So should I just get a 6x4.5 system camera? Or should I go with a folder (with ancient lenses and RFs)? Or a Fuji of some sort?
Thanks
If you can carry a monopod, most of the shutter speed issues are negated too.
If you can carry a monopod, most of the shutter speed issues are negated too.
Great, after this thread, I feel the need to try all the formats...
Luckily, I can only afford one system
Maybe I'll borrow my dad's 500C and learn to deal with the WLF
Great, after this thread, I feel the need to try all the formats...
I tried out one of the Schneider zooms for my ETRS a while back... that, paired with a motor drive (had access to the older one, not the nice, light EII) and an AE prism was a massive and heavy beast. Even having the upper body of a rock climber, it wasn't exactly comfortable or easy to raise to my eye. Probably at least 10x the weight of my little Pentax ZX-5 with a 75-150 zoom mounted on it.
In 2009 I walked the streets of Manhattan with nothing but a Hasselblad and Foma 100 film. .
Wow, Thomas, where were you hanging the camera and film to keep yourself decent.
Sorry couldn't resist
pentaxuser
Probably got chased back to Minnesota by the Naked Cowboy.
The weight differences, especially compared to gems like the Olympus OM, can be considerable. Compared to the dSLR of today, it isn't as great a difference.
ETRSi body, metering prism, back, motor winder+batteries, PE 45-90mm zoom: 6lb 5oz
Canon 40D body, 17-55mm zoom: 3lb 11oz
Olympus OM4 body, 28-200mm: 2lb 8oz
Don't even joke about that, I spent 3 hrs looking at baby Graflexes because, hey, cheap MF!Our work here is done. Check back in when you need somebody to talk you into LF and ULF though.
-NT
That Mamiya outfit is tempting
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