• Welcome to Photrio!
    Registration is fast and free. Join today to unlock search, see fewer ads, and access all forum features.
    Click here to sign up

Short exposure times printing...

An tSráid Mhór

A
An tSráid Mhór

  • 1
  • 0
  • 36
IMG_1285.jpeg

D
IMG_1285.jpeg

  • 0
  • 0
  • 33

Forum statistics

Threads
203,125
Messages
2,850,204
Members
101,689
Latest member
Sagittarius
Recent bookmarks
0

jgcull

Member
Allowing Ads
Joined
Jul 11, 2003
Messages
920
Location
nc
What should that tell me? The negatives look good, but if the exposure times have to be very brief, is the problem with the initial exposure or with developing?

Thanks.
 
What should that tell me? The negatives look good, but if the exposure times have to be very brief, is the problem with the initial exposure or with developing?

Thanks.

You don't say what brief is.

In addition to exposure and developing there is the paper you are using.
I'm using Kentmere VCFB WT (Fineart) and making a full negative print from a 4x5 neg to 8 x 10 paper with a filter from grade 1 to 4 takes' 6 seconds.

Then there is the enlarger brightness. And paper developer. If you feel you must shorten exposure time to keep development time to two minutes or so your exposure time may be correct and lessen your development to 1-1/2 minutes.
 
Sorry. By brief, I mean 3 to maybe 6 seconds. The prints look ok, but it doesn't give enough time to really dodge well, if needed. I don't know what papers I'm using because I keep the black bags but not all the boxes. (Bad practice, I know.) I use Dektol. This roll is TMax 100.
 
what fstop, what paper size, we would need much more information to be able to trouble shoot
 
35mm negs. 5x7 paper. no stops or 1... I mean stopped all the way down.

What I'm asking is, what factors into a shorter print developing time? Is it initial exposure or development? I'm using the same paper I always do. Same enlarger. Same enlarger lens. Same developer.

uhh... enlarger lens. Let me check and make sure the right one is on. 50mm lens, is that right?
 
Dear jgcull,

I infer from your last response that you have access to lenses other than 50mm. I would like to suggest that you try a longer lens.

Neal Wydra
 
A 5x7-inch print is fairly small, and an exposure in the 3-6 second range isn't what I'd call exceptionally short for such a print. If this is a practical problem because you can't dodge/burn, then I'd suggest you either stop down the lens some more (if you're not already at the minimum aperture) or use a neutral density filter (or use a combination of magenta and yellow filtration on a color enlarger to the same effect).
 
I think 3-6 seconds is an exceptionally short time unless doing a large number of prints of the same image with no dodging or burning.

Solutions:
1. Smaller bulb in the enlarger
2. Rheostat in the power circuit - cheap at Home Depot and the like
3. Neutral density filters in the light path
 
>>>Smaller bulb in the enlarger<<<

I'll check the bulb. I recently replaced the bulb and after I did, there were new light leaks I've never seen before. Something is different and I haven't figured out what or why. Maybe the light is different somehow, or sitting differently.

I do have an 80mm lens and when I put the 50 in last time I looked at it thinking I'd mixed them up somehow and wondered if I was putting the correct one in. I even checked here and photo.net to be sure I was using the right lens for the right format. Did I mix it up again? I think I did. Sheesh! What's wrong with *me*???

I'll work on those before I ... figure out what a rheostat is.

Thanks!

Janet
 
A rheostat is one method of lowering voltage. You can buy an effective light dimmer at HD or similar stores.
 
Sounds like the bulb is the only variable you have changed recently. Rheostats are handy though.
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom