When it comes to B/W 135mm film, I usually buy it in 100' bulk rolls. Have had a few spools of TRI-X and TMY-2 sitting in the freezer a bit. Just ran out of TMY-2, and was looking at getting another roll. I was aware that Kodak had increased its pricing, but wow. Seems the going rate for TMY-2 in 100' rolls is $150 (where it's in stock) prior to tax/shipping. I just checked, and the last time I bought some (three years ago) it was $99... and the time before that it was $55. I just did the math... I'd only be saving myself $0.67 per roll bulk loading versus just buying by the roll. The economics on that don't seem to make much sense to me. Is Kodak trying to price itself out of the bulk roll business?
As much as I would like to stay with Kodak, the Delta 400 100' rolls are presently $30 cheaper.
The average rate for a 36 exposure roll of TMax is between $10.50 and $12.00 usd. You may save a few bucks a roll bulk loading Kodak but not nearly the savings of the past.
I can get 10 rolls of 36-exposure TMY-2 for $90 through Film Supply Club. Savings is $0.67/roll.
The economics on that don't seem to make much sense to me. Is Kodak trying to price itself out of the bulk roll business?
As much as I would like to stay with Kodak, the Delta 400 100' rolls are presently $30 cheaper.
When it comes to B/W 135mm film, I usually buy it in 100' bulk rolls. Have had a few spools of TRI-X and TMY-2 sitting in the freezer a bit. Just ran out of TMY-2, and was looking at getting another roll. I was aware that Kodak had increased its pricing, but wow. Seems the going rate for TMY-2 in 100' rolls is $150 (where it's in stock) prior to tax/shipping. I just checked, and the last time I bought some (three years ago) it was $99... and the time before that it was $55. I just did the math... I'd only be saving myself $0.67 per roll bulk loading versus just buying by the roll. The economics on that don't seem to make much sense to me. Is Kodak trying to price itself out of the bulk roll business?
As much as I would like to stay with Kodak, the Delta 400 100' rolls are presently $30 cheaper.
Kodak Canada seems to be increasing their prices substantially also as a few yrs ago I picked up 400' of the 5222 film for $ 330 CDN. I inquired last week and the prices have risen to $515 with tax & freight. So that would be $128 per 100' so I am reconsidering how much I like this film.
Had the same shock when I went to buy bulk HP5, and I had bought a roll before the summer...settled for APX, since it's about a third cheaper. Will most likely go for FOMA next time. That's half the price.
The 72 cent dollar has an important role in this.
Don't see as a bulk option at my usual seller, but will keep your suggestion in mind for next time. Thank you, Huss!Try Kentmere - it is excellent film.
Seems the going rate for TMY-2 in 100' rolls is $150 (where it's in stock) prior to tax/shipping.
I get around 18 (36-exposures) out of a 30mt roll, and the savings come out to 2€/roll with both HP5 and APX.Still, how many 36 exp rolls can you get out of a bulk roll? 19 or so? A 36 exp roll of TMY2 retails around €14 here. Looks like bulk can still be worth it in that sense, depending on how you value your time of course.
Had the same shock when I went to buy bulk HP5, and I had bought a roll before the summer...settled for APX, since it's about a third cheaper. Will most likely go for FOMA next time. That's half the price.
It's the same as Agfaphoto APXDon't see as a bulk option at my usual seller, but will keep your suggestion in mind for next time. Thank you, Huss!
Kodak's production finishing line for the 100 ft bulk loads is slow, very manual, labour intensive and ancient. The machinery is the same as they used when the market for 100 ft bulk loads was primarily school ID and annual photographers, who usually bought it in big job lots.
They are unable to use the same machinery as used for the 400 ft and 1,000 ft motion picture films, due to a number of factors, including the need to print frame numbers on the still films. In addition, Eastman Kodak has standard, commonly accepted accounting procedures for allocating shared overhead costs to product prices, and those tend to penalize lines that require large pieces of equipment and a lot of individual labour to a relatively low volume product.
When volumes were high, the per roll cost was low, and hobby and student users could share in that benefit.
Now, when volumes are so low, the costs per roll end up being much higher than the costs per roll of some other producers.
In contrast, Eastman Kodak's production finishing lines for putting film in 35mm cassettes are fast, highly automated, involve very little individual labour and relatively much more modern. So they can be more competitively priced. The volumes for black and white film are still relatively low though, and the much higher volume colour film lines probably have priority in the finishing queue.
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