Again, it doesn't seem like a big deal until you try to focus on something close.
Not to say that rear focus is not needed, and with close ups more importantly. One case where I like rear focus is with a monorail and a still life. Sometimes the rail is no where perpendicular to the subject. In that case, front standard focus not only changes lens-subject distance, it also can move the lens up, down or sideways with respect to the subject.
I just wanted to point out that the 'magnifying' effect of focusing is from the standards moving away from each other, and will be evident even with rear-standard focusing.
The neat thing about view cameras is that you can see what is going on. Try moving the whole camera back and forth one inch and see how the image size changes. Then move either standard back and forth one inch and see how the image size changes.
Have you considered a compact monorail? A friend of mine just got a mint Graphic View for $150. That is a fantastic, full-featured, lightweight monorail.