- Joined
- Jul 14, 2011
- Messages
- 13,820
- Format
- 8x10 Format
I don't know exactly what you own connection to optical design is; but I would assume that kind of career can be interesting.
More annoying to me is the lack of a 'B' setting and the need to use 'T' ; where the shutter doesn't close until you start winding the advance lever.
I can believe the Perez/Thalmann numbers above - but bear in mind the contrast at say 10 or 20cy at full aperture is lower.
It is very consistent across the aperture range. There nothing much between 16x20" prints from this and ones that I've taken on my Horseman VH with a 120 Symmar-S or the 75 Super Angulon.
I do wonder if in a double blind test people would really be able to tell apart 16x20s from a Makina 67, a Mamiya 7, a GW690 (or 670 etc) etc.
I am sure the same will be true for comparisons of similar size prints from 35mm cameras from any of the prime 50mm lenses made by top manufacturers (Nikon, Takumar, Leitz (blasphemy!!), Minolta, etc.).
Ditto. But when I'm using the full linear 6X9 proportion with respect to printing onto 16X20 paper, the larger neg size inherently renders more detail and less apparent grain than a 6x7 equivalent neg. To do a valid comparison, you have to either crop to the same proportion, or use the 6X7 version of the Fuji RF instead. But then there is no exact correspondence between the standard focal lengths either. Almost a moot point as far as I'm concerned, however. I just like that longer 2:3 rectangle.
I can visually detect the difference in an 11X14 print between what was MF versus 4X5 versus 8X10 in my own work. Yet none of that might be actually measurable. There's just a different feel and intensity to things. Then you've got contact prints too.
(e.g. the harshness of some manual focus SLR-era Nikons is immediately obvious - yet other Nikon primes would leave people swearing that they had to be Leitz)
Ditto. But when I'm using the full linear 6X9 proportion with respect to printing onto 16X20 paper, the larger neg size inherently renders more detail and less apparent grain than a 6x7 equivalent neg. To do a valid comparison, you have to either crop to the same proportion, or use the 6X7 version of the Fuji RF instead. But then there is no exact correspondence between the standard focal lengths either. Almost a moot point as far as I'm concerned, however. I just like that longer 2:3 rectangle.
I can visually detect the difference in an 11X14 print between what was MF versus 4X5 versus 8X10 in my own work. Yet none of that might be actually measurable. There's just a different feel and intensity to things. Then you've got contact prints too.
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