One of my biggest pet peeves is when you ask a question, and people post an answer ... but its
not an answer to your question, its an answer to a
different question that the respondent thinks you should have asked. I'm sorry but that is not my question, and its patronizing
This
isn't helpful guys. No, the Sekonic L-308 doesn't meet a single one of my requirements. First off, it doesn't do reflected flash metering (it's not a spot-meter.) Second off, it doesn't support radio-triggering (it doesn't have a slot for a PocketWizard transceiver chip.)
I already own a Sekonic L-358 that does incident, radio-triggered metering. But it doesn't do reflected, radio-triggered metering. So I
need to upgrade to either a 608, 558, 758 or 858.
- I bought a Sekonic L-608 on eBay for $300, but it was defective and I'm returning it
- There is another L-608 for sale for $400, but I am worried the limit of EV 2 will be a problem
- ... if I was going to spend $400 I might as well spend another $100 to buy an L-758DR, right?
- ... however, I have a rare opportunity to buy a mint-condition L-758Cine for $650
- ... I'm just trying to determine if the extra $150 is worth it for a Cine version, especially since for $25 less, I could buy a brand-new L-868DR that goes to EV -1
I'm not doing cinematography right this moment. But I actually might in the near future (no, really). And of equal or greater important to me: if the L-758Cine is rarer and higher in demand among professionals, then it might
hold its value better over the long term. And I love a getting a good deal. I also haven't really looked into the L-558 much. I should probably do that.
Anywho, I'm just trying to make sure I don't get burned here. If I buy it at the right price, then I can always sell it later without a penalty. I really don't need anyone to help fix my gear acquisition syndrome
I really did want to buy something actually Made in Japan, though ...