If you anticipate printing as large as you stated, I would lean toward the APO solutions. I was fortunate to have a large number (20+) of upper level enlarging lenses fall into my lap some years back and ran them through the ringer to isolate the keepers. The 6 element lenses all did quite well at 8X10 and 11X14 with individuals having very subtle differences more than brand distinction. The Nikkors were just a hair less crisp but I only had 3 so limited samples could have been at play. The Fuji, Rodenstock and Schneiders were indiscernible to my eyes and equipment, The Rodagon and Schneider HM APO's had a slight edge at 11X14 but 16X20's showed their strengths. I also kept a 60 WA Rodagon that had proven handy on some 645's that I needed to greatly crop and this lens was also very capable. This is all hair-splitting, of course but while you're deciding, you may as well remove quality speed bumps where you can. 6X8 is the largest roll film that I shoot these days and the Schneider 90 APO handles those chores easily.
APO's tend to perform well close to wide open, at least in my experience. This adds extra importance to enlarger tuning and alignment along with paper flatness control.