Sounds good. For these kinds of curve calculations, what you need to establish is the white and black points and you need a decent degree of linearity in recording the fields in-between (i.e. the various gradations of grey). Things that are not very important are for instance color rendition, sharpness, angle/geometric distortion or even contrast; it's kind of OK if the strip ends up occupying only part of the histogram of the digital file. You can always correct that in post processing. That's what happens with scanning as well anyway; it's just a low contrast original with some digital gain applied to it. The only challenge you face with a digital camera is evenness of illumination and prevention of things like gloss/specular highlights. The latter is usually not a big issue and the former can be tackled by using a diffuse light source - and basically just keeping your eyes open for any problems...
Good luck, I found digital negatives an accessible way of exploring alt. process printing. All the calibration stuff in the end bored me, though. I recently threw out the stacks of cyanotypes, Van Dykes etc. I must have made thousands of calibration strips over a fairly short period of time.