Okay this may be a very simple question with a very simple answer, but it's sort of dumbfounding me. Why on earth does traditional b&w film need to be loaded/unloaded/whatever in complete darkness? If you're working with a film that isn't red-sensitive, then why can't you work under a red safelight?
Okay this may be a very simple question with a very simple answer, but it's sort of dumbfounding me. Why on earth does traditional b&w film need to be loaded/unloaded/whatever in complete darkness? If you're working with a film that isn't red-sensitive, then why can't you work under a red safelight?
Modern films are panchromatic. I.e., they are sensitive to all colors. By "loaded/unloaded", do you mean in the camera, as in roll film/35mm; or are you talking about processing and/or loading sheet film holders?
You can purchase orthochomatic film that is not red sensitive. This type of film can be used with a safelight. I don't know if it can be found in sizes other than sheets. Here is the data sheet for HP5+, a panchromatic film.
Most BW films are pretty dead beyond 625 to 650 nm. It would seem that some really deep red LEDs would work for a safelight, even for pan films. As an example, try photographing red LEDs. The deep red are difficult to image. These days, with all the new LEDs, you might find one at 675 nm that would work. You'd barely be able to see it, too, unless you are red color blind, and then not at all.
These are pages from an electronics supply house called Digikey. If you look around the pages, you will see some 697 and 700 nm LEDs. These may work. I don't think they will fog film, but you may not be able to see them either, especially if you are the slightest bit color blind in the red. Next time we make an order at work, I will get some and try.
I've found some 690 nm LEDs that are 'bright'. I guess they are bright if you can see them. Anyway, I've got some on the order list and I'll let you all know what happens.