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Rolleiflex and Portraits

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The square format works great with portraits. Look at Avedon or Penn's work. Both used an 80mm Rollei in the 50s and 60s. Nothing wrong with 3/4 length portraits. Avedon and Penn shot close enough to distort features and it worked for them. Also, 50/60s Rollei glass often gives a certain rounded 3D look which is very interesting.
 
The square format works great with portraits. Look at Avedon or Penn's work. Both used an 80mm Rollei in the 50s and 60s. Nothing wrong with 3/4 length portraits. Avedon and Penn shot close enough to distort features and it worked for them. Also, 50/60s Rollei glass often gives a certain rounded 3D look which is very interesting.
A large part of David Baileys work in the sixties was shot on Rolleiflexes, and he still uses them.
 
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