Or hold onto it for the lenses if they are very clean. And look for another deal on a decent mechanical camera with bad lenses. But agreed, the odds of there being more and more damage on further work is very good. Bending a lens shroud and jamming up the dials takes some force.In this case qualified repair would be to throw good money after bad, IMO.
I would sell the camera for parts and look for a healthy sample worthy of an overhaul.
Stay away from structural damaged cameras- they are money pits.
In this case qualified repair would be to throw good money after bad, IMO.
I would sell the camera for parts and look for a healthy sample worthy of an overhaul.
Stay away from structural damaged cameras- they are money pits.
Or hold onto it for the lenses if they are very clean. And look for another deal on a decent mechanical camera with bad lenses. But agreed, the odds of there being more and more damage on further work is very good. Bending a lens shroud and jamming up the dials takes some force.
Or move the lenses to a completely different camera like a Minolta Autocord (the 3.5 lenses are similar in diameter to other 3.5 lenses on TLRs; Rollei bumped out the filter mount to Bay II for marketing but just added a doughnut on the bayonet to fill the gap, not make the actual lens mount larger in diameter).
A bent front board may also mean that the lenses are out of alignment.
Sounds easy Dan, but one has to wonder if it is, and if it is economical - and even if it is, is it worth the trouble?
While I agree that there is a hidden risk that there is other damage, like deformation of the lens board, I would attempt to replace that "risk" into a yes/no answer. Assuming that you cans still --despite the stiffness-- move the aperture and shutter controls, you might conduct a few critical focus test at full aperture.I got a Rolleiflex 3.5F Planar at a very low price with perfect optics, nevertheless, after having it inspected by a repairman, it seems that the control board is deformed and prevents me from choosing the aperture and exposure time (the controls are very stiff)
The estimate being too expensive for my means (and the fact that he couldn't assure me the camera would be working afterwards) , would someone have knowledge in the field or could redirect me to a resource that could help me?
Thanks in advance
Actually the Seikosha shutter and Compur #00 shutters do have the same diameter, thread pitch, etc. Sure I'd need to confirm lens group spacing. And then see if the Planar would focus to infinity in the travel of the Autocord lens board. I tried a 75mm Heliar from a Bessa 66 and it wouldn't go back to infinity. And then hack in the viewing lens.Transferring the lenses to an Autocord??? The filter mounts being are somewhat similar does not mean that the interface of the front and rear elements to the shutter/diaphragm assembly (diameter, pitch, axial distance) are identical; a slim chance indeed.
Also, the retaining ring for both taking and viewing lens bayonet mounts, which also capture the gears and indicator plates, are being loosened. The compass is being used as a spanner wrench to loosen these rings.It appears that the plate is being tweaked back to square (flat) by counter bending and comparing with a flat surface so the controls work smoothly and then relubricating the controls.
If I were doing the repair shown in the video, the compass would slip and skewer my palm. Other than that, you really have nothing to lose by attempting the repair yourself.
I've done the same repair on a Yashicamat and to be honest it's not difficult, just keep tweaking the front plate until it conforms to the tolerances of the human eyeball and comparing with a straight edge laid across. It's only a bit of cheap tin so common sense should say when to stop bending. As you can see you don't need to remove the lenses and these can be checked for alignment in-situ. If that video wasn't clear look for a repair video for a Yashicamat and the principles of removing the front plate are exactly the same.
If the front lens board is not that obviously bent to your eyes, I'd try a roll of film in it, just to see. I had an old Graflex TLR w/ the identical problem. It would have been much easier to fix than your 'flex, but I shot it as it was, and the problem never showed up on the negs. Maybe if the lens were wide open, but most people stop a MF camera down a bit.
Just to warn you, the F lens shroud is more complex than the E shroud shown in the video. There are gears for the meter coupling that need to be set properly and aligned properly for assembly to happen and for the metering system to work properly. The actual shroud that is bent is similar, but removal and installation will not be simple.
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