I did, but he just wants me to make him an offer. He sounds like a very fair older guy who just wants to let these go to someone who will use them and care for them, so I'm guessing that he will accept any fair offer. That's the part I'm not sure about, how much a fair offer would be in this case.Why not ask the seller his price for the camera?
I'm not worried about the ergonomics, I can easily get used to the switched focusing (I've shot with a Mamiya C-220 and owned a C-33 for a while, so I've used right hand focusing), the dim screens are the only thing that I'm worried about.Whatever you get, if you want to smoothly operate both Yashica and Rollei cameras, it might be worth comparing the ergonomics.
I have an automat with crank on the right and focus on the left, and a yashica-C which focuses on the right and advances on the right. It messes with my mind a little bit to change sides for focusing. After several shots you then get used to the changed method of advancing film.
What about the Rolleicord II with the Triotar, how does it compare to the III? What are the main differences?
Also, what is the parallax correction like on these?
The 'cord with the Triotar is more specifically a IIc model 4.
Both models have parallax compensation in the finder. The frame moves when you focus. It works perfectly.
I have never noticed this feature on my Rolleiflex 3.5E. Was this only on Rolleicord models ?
A rolleicord 111 would be the best bet, and around $150.00 would be a fair price if the camera is fully working and in nice condition.
The dim viewfinders are a bit of a hassle with the 'Cords, I just use them with the magnifier all the time. BTW, the Triotar lens is still quite good, and has a great vintage look when used at full aperture. Maybe you could buy both, a $200.00 deal maybe?
Your camera has it. Hold it against the sky or a bright lit wall and turn the focus knob and you will see the frame under the viewing screen move.
All Rolleicords and all Rolleiflexes, except the Original and Standard models, has it. The Original and Standard Rolleiflexes have a smaller viewing area instead to compensate for parallax.
I don't doubt this at all, I would actually say that most TLRs would fit this description!I was told by the dinosaurs with whom I worked in the Jurrasic age (that is, 1950s-1960s) that the best bang for the photographic buck was a clean Rolleicord III.
So I met up with the guy today, he was very nice and brought all four Rolleis for me to check out. I played around with all of them and decided to go with a 'cord III. He gave me a fair deal (IMO) at $200 since it showed a little more wear than his other 'cord III, but it's only a little tarnishing and some scratches on the body. However, it operates wonderfully! ...
Great! Now the next step that you need to take is to handle a Hasselblad. Once you have done that you will have been screwed and GAS will take over your life.
This is formal notice that you have GAS and it will increase its hold on you. Get thee to a twelve step program today before all is lost!
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