- Joined
- Apr 4, 2004
- Messages
- 705
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- 35mm
So with a Hasselblad one just waits a little longer between buying lenses, that is all.
Come off it, will you? It sounds like you are selling Hasselblads. The OP was asking about the Rollei SL66. Seems like he knows his cameras. The SL66 is a different beast altogether. Apart from its unique features, it produces a bigger negative. The Hasselblad is really a 5.4 x 5.5.4 camera, where the SL66 is 5.8 x 5.8. Measure it up if you don't believe me. Hasselblads are nothing special. They are just like Kievs, but with a slightly better reputation.
Good dealI just bought a Bronica EC with stuck mirror for $55. I'll tinker with that for a while since I have an EC-TL and may need the practice in the future.
I feel TRIGGERED.
The Hasselblad repairman I use also is authorized to repair Rollei SL66 and he recommended the Hasselblad over the SL66 et al.
I guess he would, being a Hasselblad repairman. I also guess a Hasselblad is easier to repair. As a user tool I think the SL66 surpasses a Hasselblad quite handily.
SL66's are great cameras but I hear that it's hard to find parts for them. Do your research!
I would argue that it is - it's mechanical and serviceable (abet much more work). I think we should encourage more people to get the old ones serviced and working, so there are some around for the post digital apocalypse (and people who know how to service them!)... The SL66 has some great features but it is not the camera for the post digital apocalypse.
I would argue that it is - it's mechanical and serviceable (abet much more work). I think we should encourage more people to get the old ones serviced and working, so there are some around for the post digital apocalypse (and people who know how to service them!)
Ofcourse Sirius is right though, unless you are a Scheimpflugger, the Hasselblad produces the same quality of images, plus it's cheaper, simpler, easier to fix, and more available.
When I said it, I got flack. Alan agrees with me and someone else said that if my repairman had not said that, that I should change repair man. The SL66 has some great features but it is not the camera for the post digital apocalypse.
If one has the skill to fix cameras, welcome to it. I will only work on my Graflex Model D because a retired Graflex-Graphic repairman taught me how to repair the shutter, but even on that camera I will send it out for anything else.
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