It was made for a Polaroid copy camera, either the MP-3 or one of the 'scope/gel cams. Macro lens intended for use on 4x5 at magnifications above 1:1. MP-3 lenses have been put on MP-4 boards, but the MP-4's native lenses were all made to be mounted in front of a #1. One MP-4, many lenses, one shutter with no diaphragm. One MP-3, many lenses, one shutter with diaphragm/lens (except for the 35/4 Eurygon, which is front-mounted). The economic advantages of the MP-4 way should be obvious.
Tessar type, absolutely positively not a w/a lens for 2x3. FWIW, I've had a couple of ex-MP-4 75/4.5 Tominons (replacements for the MP-3's 75 Ysaron) and tried one at distance on a 2x3 Graphic to see what it could do. It illuminated 2x3 at distance but in the center image quality was poor, worse at the edges.
Against this, Bob Fowler, who sometimes posts here, has reported that his 75/4.5 Tominon in shutter (a gel cam lens for sure) covers 2x3 very well at distance. Could be that he and I don't agree about what covers means. Could be that his lens isn't the same design as mine. So if you can, try yours out and report back.
The shutter may not do for y'r Leitmeyr. Great stress may. Check that its diaphragm opens wide enough.
A propos of 105 Leitmeyr's, mine seems to be a 4/4 double Gauss type. What is yours? I ask because Ole Tjugen reports that some Leitmeyr wide angles are in the same design family as the Angulon.