P Sanders
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Thank you for the information. Many times I’ve noticed that personal experiences may give insight into using a lens (or film and developer for example) that written specifications don’t convey. And the reason I asked for hands on practical experience and opinion.
Your suggestion for a Fujinon C is right on target and currently the C 300/8.5 is on my 4x5, and believe the only other C lenses are the 450/12.5 and the 600/11.5.
For my 5x7 the progression that seemed most comfortable from a normal 420mm was to a 360mm however these lenses become notoriously large and heavy. I have not had a good experience with a G-Claron lens and was inquiring about the Ronar.
The Ronars are designed to do the same job as the G-Claron, so I would expect them to similar. I've not used either, so can't comment about how they actually perform. I've read a number of people who were happy with the Ronar for landscape work.I have not had a good experience with a G-Claron lens and was inquiring about the Ronar.
The Ronars are process lenses, optimized for 1:1 copying and graphic arts applications. The design goal for these is low distortion for copying. They can make general purpose taking lenses, but that's not their strength.
Er, I've had several 150/9 G-Clarons and still have two 150/9 ApoRonars. I shot them all on 2x3. The ARs are clearly better at all distances.The Ronars are designed to do the same job as the G-Claron, so I would expect them to similar. I've not used either, so can't comment about how they actually perform.
I have not had a good experience with a G-Claron lens and was inquiring about the Ronar.
The Ronars are designed to do the same job as the G-Claron, so I would expect them to similar. I've not used either, so can't comment about how they actually perform. I've read a number of people who were happy with the Ronar for landscape work.
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